_Will._ My fingers itches to be at the peasant. Ah, that
I might be set a work thus through the year, and
that murder would grow to an occupation, that a
man might follow without danger of law:--zounds, I
warrant I should be warden of the company! Come,
let us be going, and we’ll bait at Rochester, where
I’ll give thee a gallon of sack to handsel the match
withal.
[_Exeunt._
II. i. 51. Mr. Bullen says that such a line as this ‘might have
come straight out of _Tamburlaine_.’ He goes on, ‘but in no other
part of the play can we find a trace of Marlowe’s influence.’ Cf.--
‘He sent a shaggy tottered staring slave,
That when he speaks draws out his grisly beard,
And winds it twice or thrice about his ear;
Whose face has been a grindstone for men’s swords.’
_Jew of Malta_, IV. v. 6.
and Shakespeare’s--
‘They brought one Pinch, a hungry lean-faced villain ...
A needy hollow-ey’d, sharp-looking wretch,
A living dead man.’
_Com. of Errors_, V. i. 237.
II. i. 56. _all to torn_; ‘entirely torn.’ _To_ in the sense of
‘asunder’ was commonly emphasised by _all_. Cf. ‘Her wings ...
were all to ruffled.’--_Comus_, 380.
II. i. 58. _seam rent_: torn at the seams; ‘Seam rent fellows,’--Ben
Jonson.
II. i. 101. Imitated in Yarington’s _Two Tragedies_ (iii. 2):--
‘Grace me no graces, I respect no grace,
But with a grace to give a graceless stab.’
II. i. 114. I have inserted _follow_.
SCENE II
_London. A Street near St. Paul’s._
_Enter Michael._
_Michael._ I have gotten such a letter as will touch the
painter: And thus it is:
_Here enters Arden and Franklin and hears Michael
read this letter._
‘My duty remembered, Mistress Susan, hoping in God
you be in good health, as I Michael was at the
making hereof. This is to certify you that as the
turtle true, when she hath lost her mate, sitteth
alone, so I, mourning for your absence, do walk
up and down Paul’s till one day I fell asleep and
lost my master’s pantofles. Ah, Mistress Susan,
abolish that paltry painter, cut him off by the
shins with a frowning look of your crabbed countenance,
and think upon Michael, who, drunk with
the dregs of your favour, will cleave as fast to your
love as a plaster of pitch to a galled horse-back.
Thus hoping you will let my passions penetrate, or
rather impetrate mercy of your meek hands, I end.
‘Yours, Michael, or else not Michael.’
_Arden._ Why, you paltry knave,
Stand you here loitering, knowing my affairs,
What haste my business craves to send to Kent? 20
_Franklin._ Faith, friend Michael, this is very ill,
Knowing your master hath no more but you,
And do ye slack his business for your own?
_Arden._ Where is the letter, sirrah? let me see it.
[_Then he gives him the letter._
See, Master Franklin, here’s proper stuff:
Susan my maid, the painter, and my man,
A crew of harlots, all in love, forsooth;
Sirrah, let me hear no more of this,
Nor for thy life once write to her a word.
_Here enters Greene, Will, and Shakebag._
Public-domain text, read in full here on John Shaqi.
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