Ants and bees seem to be capable of altering their habits and methods of action much as men do. Bees taken to Australia cease to store honey after a few years' experience of the mild winters. Whole communities of bees sometimes take to theft, and live by plundering hives, first killing the queen to create dismay among the workers. Slave ants attend devotedly to their captors, and fight against their own species. Forel reared an artificial ant-colony made up of five different and more or less hostile species. Why cannot a much more intelligent animal modify his habits far more rapidly and comprehensively without the aid of a factor which is clearly unnecessary in the case of the more intelligent of the social insects? AESTHETIC FACULTIES. The modern development of music and harmony (p. 19) is undeniable, but why could it only have been brought about by the help of the inheritance of the effects of use? Why are we to suppose that "minor traits" such as the "aesthetic perceptions" cannot have been evolved by natural selection (p. 20) or by sexual selection? Darwin holds that our musical faculties were developed by sexual preference long before the acquisition of speech. He believes that the "rhythms and cadences of oratory are derived from previously developed musical powers"--a conclusion "exactly opposite" to that arrived at by Mr. Spencer.[12] The emotional susceptibility to music, and the delicate perceptions needed for the higher branches of art, were apparently the work of natural and sexual selection in the long past. Civilization, with its leisure and wealth and accumulated knowledge, perfects human faculties by artificial cultivation, develops and combines means of enjoyment, and discovers unsuspected sources of interest and pleasure. The sense of harmony, modern as it seems to be, must have been a latent and indirect consequence of the development of the sense of hearing and of melody. Use, at least, could never have called it into existence. Nature favours and develops enjoyments to a certain extent, for they subserve self-preservation and sexual and social preference in innumerable ways. But modern aesthetic advance seems to be almost entirely due to the culture of latent abilities, the formation of complex associations, the selection and encouragement of talent, and the wide diffusion and imitation of the accumulated products of the well-cultivated genius of favourably varying individuals. The fact that uneducated persons do not enjoy the higher tastes, and the rapidity with which such tastes are acquired or professed, ought to be sufficient proof that modern culture is brought about by far swifter and more potent influences than use-inheritance. Neither would this hypothetical factor of evolution materially aid in explaining the many other rapid changes of habit brought about by education, custom, and the changed conditions of civilization generally. Powerful tastes--as is incontestably shown in