I think that true beauty is beyond description; you may describe the changeless, faultless outlines of a statue to a man who has seen good statues and can recall them; you can perhaps find words to describe the glow, and warmth, and deep texture of a famous picture, and what you write will mean something to those who know the master's work; you may even conjure up an image before untutored eyes. But neither minute description nor well-turned phrase, neither sensuous adjective nor spiritual simile can tell half the truth of a beautiful living thing. And the fairest living woman is twice beautiful when gladness or love or anger or sorrow rises in her eyes, for then her soul is in her face. As Omobono looked through the window and watched the beggar girl leaning over her dying mother, he hardly saw the perfect line of the cheek, the dark and sweeping lashes or the deep brown eyes--the firm and rounded chin, the very tender mouth, the high-bred nostrils or the rich brown hair. He could not clearly recall any of those things a few minutes later; he only knew that he had seen for once something he had heard of all his life. It was not till he dreamt of her face that night--dreaming, poor man, that she was his guardian angel come to reprove him for his curiosity--that the details all came back, and most of all that brave and tender little mouth of hers, so delicately womanly and yet so strong, and that unspeakable turn of the cheek between the eye and the ear, and that poise of the small head on the slender neck--the details came back then. But in the first moment he only saw the whole and felt that it was perfect; then, for an instant, the eyes looked at him across the dying woman; and in a moment more the Bokharian turned, caught sight of him and came quickly forward, and the spell was broken. Rustan Karaboghazji held out both hands to Omobono, as if he were greeting his dearest friend, and he spoke in fluent Italian. He was a young man still, not much past thirty, with dark, straight features, stony grey eyes, and a magnificent black beard. 'What happy chance brings you here?' he cried, immediately drawing the Venetian in the direction whence the latter had come. 'Fortunate indeed is Friday, the day of Venus, since it brings me into the path of my honoured Ser Omobono!' 'Indeed, it is no accident, Kyrios Rustan----' began Omobono. 'A double fortune, then, since a friend needs me,' continued the Bokharian, without the slightest hesitation. 'But do not call me Kyrios, Ser Omobono! First, I am not Greek, and then, my honoured friend, I am no Kyrios, but only a poor exile from my country, struggling to keep body and soul together among strangers.' While he talked he had drawn Omobono's arm through his own and was leading him away from the house with considerable haste. The Venetian looked back, and saw that the old woman had disappeared.