Argentine Ornithology, Volume 1 (of 2): A descriptive catalogue of the birds of the Argentine Republic. — John Shaqi
Argentine Ornithology, Volume 1 (of 2): A descriptive catalogue of the birds of the Argentine Republic.Hudson, W. H. (William Henry)
Science
Argentine Ornithology, Volume 1 (of 2): A descriptive catalogue of the birds of the Argentine Republic.
Hudson, W. H. (William Henry)
Birds -- Argentina
I met with this species on the Rio Negro in Patagonia: it was there
called _Calandria blanca_, a name not strictly accurate, since the bird
is not all white, but certainly better than Azara's strange invention of
"Lark with three tails."
The bird was not common in Patagonia, and its only language was a very
loud harsh startled note, resembling that of the _Mimus calandria_; but
it was past the love-season when I first met with it, and the natives
all assured me that it possessed a very wonderful song, surpassing the
songs of all other birds; also that it had the faculty of imitating
other species. In manners and appearance it struck me as being utterly
unlike a _Mimus_; in its flight and in the conspicuous white and black
of the wings and tail, it looked like a Tyrant of the _Tænioptera_
group. It was extremely shy, had a swift, easy, powerful flight, and,
when approached, would rise up high in the air and soar away to a great
distance. In February it disappeared from the Rio Negro and did not
return till the following October, after the arrival of all the other
migrants. It was then that I had the rare good fortune to hear it sing,
and I shall never forget the sensation I experienced when listening to
its matchless melody.
While walking through a _chañar_-wood one bright morning, my attention
was suddenly arrested by notes issuing from a thicket close by, and
to which I listened in delighted astonishment, so vastly superior in
melody, strength, and variety did they seem to all other bird-music.
That it was the song of a _Mimus_ did not occur to me; for while the
music came in a continuous stream, until I marvelled that the throat of
any bird could sustain so powerful and varied a song for so long a time,
it was never once degraded by the harsh cries, fantastical flights, and
squealing buffooneries so frequently introduced by the Calandria, but
every note was in harmony and uttered with a rapidity and joyous abandon
no other bird is capable of, except, perhaps, the Sky-Lark; while the
purity of the sounds gave to the whole performance something of the
ethereal rapturous character of the Lark's song when it comes to the
listener from a great height in the air.
Public-domain text, read in full here on John Shaqi.
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