The snow was already red with blood where he lay. For the first
time, Crandall looked for the scar that the description said was on
the right cheek. For an instant he did not see it, and his heart
seemed to stop beating with the fear of having made a mistake, and
when, on drawing nearer, he saw that it was there, that only the
pallor which had spread over the man’s face had made it indistinct,
he could have cried out with joy at the feeling of relief that
passed over him.
“Are you badly wounded?” he asked.
“I don’t know how bad it is. It is here somewhere,” the man said,
placing his hand on his breast, as if not certain of the exact spot.
“It feels numb-like,” he added. Stooping down, Crandall unbuckled
and took off the man’s pistol-belt and threw it into the snow, where
lay his rifle, and then he tore open the man’s shirt. As he did so
his fingers came in contact with the warm blood, and he
involuntarily drew back, with a feeling of disgust.
“Did you find it?” asked the man, who was watching him closely, and
who had observed the movement.
Recalled to himself by the question, Crandall again tore at the
shirt, exposing the breast. Where the blood did not cover it, it
looked like marble, despite the dark hair on it. He could not see
the wound, on account of the blood, until he had wiped the latter
from the breast, and then he found it.
“What do you think of it?” the man asked.
“There it is,” replied Crandall. He could not say more. The
appealing tone in the man’s voice for some hope--some
encouragement--made him feel faint and sick.
“What do you think of it?” the man repeated, in a querulous voice,
and, as he did so, he coughed until his mouth filled with blood, and
he spat it out on the white snow.
Crandall shook his head and walked toward where his horse was tied.
He felt that if he watched the wounded man any longer he would
faint. Noticing his walking away, the wounded man said: “For God’s
sake, don’t leave me. Now that you have killed me, stay with me, and
don’t let me die like a dog.”
Public-domain text, read in full here on John Shaqi.
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