Arguments before the Committee on Patents of the House of Representatives, on H. R. 11943, to Amend Title 60, Chapter 3, of the Revised Statutes of the United States Relating to Copyrights: May 2, 1906.United States. Congress. House. Committee on Patents
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Arguments before the Committee on Patents of the House of Representatives, on H. R. 11943, to Amend Title 60, Chapter 3, of the Revised Statutes of the United States Relating to Copyrights: May 2, 1906.
United States. Congress. House. Committee on Patents
Copyright -- United States
Instead of buying the music, we find that for economy the church has
been persuaded to hire or to borrow copies that have been used
elsewhere. Imagine the large and well-dressed audience assembled on
the night of the performance. Listen to the delicate arias, the grand
choruses, the pealing organ, and notice the swelling enthusiasm of
the people during some of the climaxes. Picture this brilliant and
enjoyable scene, but let us also not forget the one man whose brain
and heart created this music and made the entertainment possible. The
pittance of $1.80 which he would receive is all too small; but such as
it is, it should not be taken from him. When copies of the music are
rented or borrowed and not bought, all the composer gets is glory and
applause. Now, glory is all well enough, and applause to most men is
sweet. But we wish to say to you, gentlemen, that glory alone will not
put a coat on that man's back; it will not help him to protect his
wife; nor will glory alone clothe and feed his children.
Furthermore, and in closing, in giving the above supposed entertainment
a fair admission price has been charged, or in lieu of a fixed
admission the plate has been passed; and few of us would care to listen
to the music and neglect the opportunity to contribute. So that we may
say that there is practically no such thing as performances of this
kind without a revenue. In giving such an entertainment everything else
is paid for. The light and heat are paid for, programmes are paid for,
parties from whom the books are rented are paid, the organist--even the
sexton is paid--but not the composer. We, the signers of this paper, do
not believe that American churches are so poor, or American societies
ever so needy as to make this injustice necessary; and it is hoped that
your committee in protecting the American people will also at the same
time not forget fair play toward the American composer.
VICTOR HERBERT, _Composer_.
REGINALD DEKOVEN, _Composer_.
BRONSON HOWARD, _Author and Playwright_.
HARRY ROWE SHELLEY, _Composer and Organist_.
_Constitution and by-laws of the Music Publishers' Association of the
United States._
CONSTITUTION.
ARTICLE I. This organization shall be known as the Music Publishers'
Association of the United States, and shall have for its object the
uniting of the music publishers of the United States for their own
interest and the general welfare of the music trade.
ART. II. The officers of this association shall consist of a
president, vice-president, secretary, and treasurer, and an executive
committee consisting of five members, who shall be elected at each
annual meeting, to serve one year from the date of their election, or
until their successors are elected; and the president and secretary
shall be members of the executive committee ex officio.
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