Arguments before the Committee on Patents of the House of Representatives, on H. R. 11943, to Amend Title 60, Chapter 3, of the Revised Statutes of the United States Relating to Copyrights: May 2, 1906. — John Shaqi
Arguments before the Committee on Patents of the House of Representatives, on H. R. 11943, to Amend Title 60, Chapter 3, of the Revised Statutes of the United States Relating to Copyrights: May 2, 1906.United States. Congress. House. Committee on Patents
History
Arguments before the Committee on Patents of the House of Representatives, on H. R. 11943, to Amend Title 60, Chapter 3, of the Revised Statutes of the United States Relating to Copyrights: May 2, 1906.
United States. Congress. House. Committee on Patents
Copyright -- United States
Mr. SERVEN. That is what is doing to-day. The person that buys it has
the right of public performance.
Mr. CHANEY. Carrying out the analogy with patents, what would you say
about the right of a man who buys a patent to dispose of it in any way
he pleases?
Mr. SERVEN. He buys the patent right.
Mr. CHANEY. He buys a machine, for instance.
Mr. SERVEN. The object that is patented under the patent?
Mr. CHANEY. Yes; take a reaper or a mower or a trashing machine.
Mr. SERVEN. In a case of that kind it seems to me that the owner of the
patent, if he likes, can do just as he pleases, and as a matter of fact
in very many instances they sell the right to manufacture for certain
districts----
Mr. CHANEY. Exclusive of manufacturing, I mean.
Mr. SERVEN. I will follow it from the manufacturer. I remember in my
own county--my native county--that a certain variety of fence that was
patented, in which case rights were sold in every township, not only to
manufacture, but also to sell to other residents of that town the use
of that particular kind of fence, whether it was manufactured by the
fellow who bought the use, or whether it was manufactured by the fellow
who had a license for that town, and nobody else who did not get that
from the original patent-right owner, or the licensee under him, could
build that fence, and I remember that there were several farmers who
liked the fence but who didn't like to pay the price, and they
attempted to build it, and they were hauled up in the courts, and my
remembrance is that it cost them $1,500 or $1,800 altogether to settle
for a little strip of fence that was not worth more than $50.
Mr. DRESSER. I don't believe a court would ordinarily give such a
judgment as that in such a case.
Mr. CHANEY. Suppose you limit it as to a machine, without any statement
as to his rights further than there is a machine for his use. Now, has
he not the right that he can dispose of that machine to anybody he
chooses?
Mr. SERVEN. Undoubtedly, because the law provides expressly that thing
now.
Mr. CHANEY. Now, then, what difference would there be----
Mr. SERVEN. The law provides expressly the opposite in regard to the
public performance of the musical composition, and under that old
principle let the buyer look out! He is supposed to know what the law
is.
Mr. CHANEY. That being so, ought not a man who buys a musical
composition to have the right to do just as he pleases with it, the
same as a man who purchases a mowing machine? For instance, I sing some
myself. If I buy a piece of music ought I not to have a right to do
what I please with it?
Mr. SERVEN. Certainly, if your contract covers that.
Mr. CHANEY. But suppose it does not.
Mr. SERVEN. There must be an express or implied contract as to what he
is buying.
Mr. CHANEY. He buys the machine.
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