Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.United States. Congress. House. Committee on Patents
History
Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.
United States. Congress. House. Committee on Patents
Copyright -- United States
Should another performer play the same piece played by a
Paderewski the personality of Paderewski would be absolutely
wanting, and the same difference between the two performances of
the same composition would be in the respective sound records as
would exist at the actual performance of the respective pieces.
The same differences between Caruso's rendition of a selection
from Rigoletto and a concert hall singer's rendition of the same
would exist in the sound record and the reproduction therefrom as
would exist in the actual singing of the selection. This is true
regarding personality of every voice and instrumentation recorded.
So-called talking-machine records in this respect differ quite
materially from the mechanical organ and piano, for the reason
that a so-called talking-machine record is an exact record of all
the modulations, and all the characteristic articulations of the
voice, as well as of all the characteristics of an
instrumentation. In other words, it is an exact picture of all the
merits and demerits of the original, and the original is
reproduced with an exactness so that frequently, at a distance, in
the present perfected state of the art, the reproduction may very
well be mistaken for the original.
This record of the voice and instrumentation for sound reproducing
is an art which was not commercially available, or perfected, when
the earlier copyright laws were passed, and therefore were not
included. It is doubtless the intention of the framers of this
bill to include such sound records as copyrightable matter, but in
order to relieve the bill from any doubt it may properly be
expressed in this section as I suggest.
Hoping that this will meet with your approval, I remain,
Yours, very truly,
HORACE PETTIT.
THE PLAYWRIGHTS LEAGUE CLUB,
_New York, N.Y., June 2, 1906_.
LIBRARIAN OF CONGRESS, _Washington, D.C._
DEAR SIR: We are in receipt of your favor of the 31st ultimo, with
copy of proposed copyright law. After careful consideration the
provisions of this law seem admirably suited to the purposes, and
its framers deserve great commendation.
As circumstances do not permit my attendance at the hearings, I
would consider it a favor if you would read this letter to the
committee, if not all of it, then the portions which may not be
referred to at the hearing, should anything herein referred to
fail to be considered. The latter paragraphs of the letter are
especially brought to your attention.
Public-domain text, read in full here on John Shaqi.
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