Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.United States. Congress. House. Committee on Patents
History
Arguments before the Committee on Patents of the House of Representatives, conjointly with the Senate Committee on Patents, on H.R. 19853, to amend and consolidate the acts respecting copyright: June 6, 7, 8, and 9, 1906.
United States. Congress. House. Committee on Patents
Copyright -- United States
Section 4966 of the Revised Statutes covers that ground already, and
provides that copyright may cover the performance of dramatic work.
But I hold, and I hold without the slightest hesitation, that that
whole section 4966 is unconstitutional. No court has ever held it to
be constitutional, and any attempt on the part of Congress to grant a
copyright to enable a man to monopolize the rendering of a play on the
stage is preposterous. The fathers who went to Philadelphia in 1787
had more weighty business on hand than to give to playwrights an added
grip on the monopoly of their productions in addition to the
common-law grip that they already had. At that time and now the author
of a play is abundantly protected under the common law, but Congress
in 1870 provided an additional grip for the playwright under the
copyright statute, in face and eyes of the fact that the Constitution
under which they were acting was confined to writings. But if I do not
remember wrongly (and I think the gentleman from North Carolina will
agree with my recollection) about 1870 Congress did several things
that could not be fully vindicated under the Constitution.
Mr. WEBB. Yes.
The CHAIRMAN. Mr. Walker, have you in mind the exact language of the
Constitution?
Mr. WALKER. Certainly.
The CHAIRMAN. Will you not put it on the record at this point?
Mr. WALKER. "Congress shall have power to promote the progress of
science and the useful arts by securing for limited times to authors
and inventors the exclusive right to their respective writings and
discoveries."
"F. To publicly perform a copyrighted musical work, or any part
thereof."
Now, is Mr. Sousa present? If not, I see Mr. Victor Herbert here, and
I would like to ask Mr. Victor Herbert whether, during the last few
years, he has with his orchestra performed copyrighted music of other
composers, of which copyrighted music he purchased and had the sheets
there for the performance?
Mr. HERBERT. With their permission.
Mr. WALKER. Did you get any other permission than the purchase of the
sheets?
Mr. HERBERT. That is included.
Mr. WALKER. Did you get any special permission to perform?
Mr. HERBERT. The permission is written on the sheet.
Mr. WALKER. What is written on the sheet?
Mr. HERBERT. Permission for performance.
Mr. WALKER. It is on the sheet, is it?
Mr. HERBERT. Yes.
Mr. WALKER. In all cases?
Mr. HERBERT. That is, on the corner of the sheets--"permission to
perform."
Mr. WALKER. Very well, if in his case it is there. But this is the
situation of the law at the present time: If one of you gentlemen goes
to church and joins in the singing of a hymn that is the subject of a
copyright, you are liable to a penalty of $100 for the first time you
join in that singing, and a penalty of $50 for every subsequent time,
unless you yourself bought that particular hymn book at first hand
from the publisher. That is the law now.
Mr. SULZER. Suppose the church bought it?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account