Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
At the threshold of the house he stopped. There was no one to be seen
. . . a lamp burned in the big room . . . perhaps the two widows were
suggesting to one another new grounds for hope. . . . Trelawny thought
of his last visit there. Then the two families had all been on the
terrace overhanging a sea so calm and clear that every star was
reflected in the waters. Williams had cried “Buona notte!” and Trelawny
had rowed himself on board the _Bolivar_ at anchor in the bay. From afar
he had listened to Jane singing some merry tune to the accompaniment of
her guitar. Shelley’s shrill laugh had pierced the quiet night, and
Trelawny had looked back with regret on a set of human beings who had
seemed to him the happiest and most united in the whole world.
His reverie was broken by a shriek from the nurse Caterina, as crossing
the hall she saw him in the doorway. He went upstairs and unannounced
entered the room where Mary and Jane sat waiting. He could not speak a
word. Mary Shelley’s hazel eyes fixed themselves on his with a terrible
intensity. She cried out: “Is there no hope?” Trelawny, without
answering, left the room, and told the servant to take the children to
the two poor mothers.
CHAPTER XXXVII
LAST LINKS
Mary wished to have Shelley buried near their little boy in the Roman
cemetery which he had thought so beautiful, but the sanitary laws
forbade that bodies once buried in quicklime on the sands, should be
transferred elsewhere. Trelawny suggested, therefore, that the remains
should be burned on the shore, according to the custom of the ancient
Greeks. When the day was fixed for this ceremony, he sent word to Byron
and Hunt, who wished to be present, and came himself on the _Bolivar_.
The Tuscan authorities had provided a squad of soldiers armed with
mattocks and spades.
The remains of Williams were dug out first. Standing round on the loose
sand that scorched their feet his friends watched the soldiers at work
and waited with curiosity and horror the first appearance of the body. A
black silk handkerchief was pulled out, then some shreds of linen, a
boot with the bone of the leg and the foot in it, then a shapeless mass
of bones and flesh. The limbs separated from the trunk on being touched.
The soldiers performed their work with long-handled tongs, nippers,
poles, with iron hooks, spikes, and divers other tools all resembling
implements of torture.
“Is that a human body?” exclaimed Byron. “Why, it’s more like the
carcase of a sheep!”
He was greatly moved, and tried to hide his emotion, which he thought
maudlin and unmanly, under an air of indifference. When they were
lifting the skull, “Stop a moment, let me see the jaw,” he said. “I can
recognize by the teeth anyone with whom I have talked. I always watch
the mouth, it tells me what the eyes try to conceal.”
Public-domain text, read in full here on John Shaqi.
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