Poets, English -- 19th century -- Biography; Shelley, Percy Bysshe, 1792-1822
“I once more presume to address you to state to you my sincere
desire of being considered as worthy of a restoration to the
intercourse with yourself and my family which I have forfeited
by my follies. . . . I hope the time is approaching when we
shall consider each other as father and son with more confidence
than ever, and that I shall no longer be a cause of disunion to
the happiness of my family. I was happy to hear from John Grove
who dined with us yesterday, that you continue in good health.
My wife unites with me in respectful regards.”
Unfortunately, Timothy Shelley, with characteristic wrong-headedness,
chose a test of Bysshe’s obedience to which it was impossible for him to
submit; he could not write to the authorities of University College that
he was now a sincere and dutiful son of the Church. And, failing this,
his father declined all further communication with him.
“I am not so degraded and miserable a slave,” wrote Shelley to
the Duke of Norfolk, “as publicly to disavow an opinion which I
believe to be true. Every man of common sense must plainly see
that a sudden renunciation of sentiments seriously taken up is
as unfortunate a test of intellectual uprightness as can
possibly be devised. . . . I am willing to concede everything
that is reasonable, anything that does not involve a compromise
of that self-esteem without which life would be a burden and a
disgrace.”
Eliza considered such obduracy absurd. “Thus Harriet, so soon to be
brought to bed, will not even have a carriage to save her running about
the streets on foot!” Shelley, exasperated, bought a carriage on credit,
and refused to use it. He hated being shut up in a closed carriage, and
much preferred long tramps with Hogg on foot.
Though sick to death of Eliza at home, there were plenty of pleasant
houses where he could take refuge. There was the Godwins’ in Skinner
Street, where Fanny and Jane Clairmont always received him with open
arms. There was the Newtons’ in Chester Square, where he found
affection, intelligence, and old-world courtesy. Mrs. Newton, a
first-rate musician, the favourite pupil of Dussek, would sit down to
the piano, while Shelley seated on the rug amidst the children would
tell them tales of ghosts and phantoms in a low voice.
Public-domain text, read in full here on John Shaqi.
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