That was the substance of the artist’s letter as told to Ariel, and
Hugh’s reply had been an instant promise to receive Ariel and with his
mother’s help do anything for her that was in his power. Gregory could
rely on his friend. Only, the doctor must keep him informed of his
patient’s health, and it had better be the doctor who should arrange for
Ariel’s coming to New York if the end that Clare had prophesied did
transpire.
That was the substance of Hugh’s letter. And Gregory Clare had finished
explaining it all to Ariel as she stood watching the last scraps of it
curl into charred blackness in the grate.
“You mustn’t worry, darling,” he gasped, when her silence had become
prolonged, “for when you remember that the only picture I ever even
thought of selling brought us one thousand dollars ... and now there are
two hundred of them soon to be up for sale in New York ... where there’s
so much wealth ... I’ve marked those Charlie’s to drown out beyond the
reef to-morrow—the ones that aren’t really good enough, you know—and it
leaves, even at that, _two hundred_ pictures. Suppose they only bring
half the price of the first one each.... Why, even that is wealth, my
dear....”
“Oh, don’t, Father! What does it matter?” She was dismayed that his last
strength was being given to such trivialities.
But he struggled on, with harshly drawn breaths. “Funny why I’m trusting
you to Hugh, beyond every one else! I suppose it’s because he saw that
‘Noon’ was the best of the lot.... He did see, remember? And he
sacrificed something for that seeing. A quarter of his income, wise boy!
He understood ‘Noon’—so he’ll understand you, Ariel, darling, my
dearest—sweetest. He may have changed, but hardly so much—for
‘... Fortunate they
Who, though once only and then far away,
Have heard her massive sandal set on stone.’
Beauty’s sandal, that was. Do you remember the sonnet? Well—Hugh’s one
of those Fortunate.... I’ve never seen in any one else’s face what I saw
in his that morning when he stood, looking at ‘Noon’ and saying it
showed him what the sun hadn’t....”
“Oh, Father! Hush! Don’t try to speak any more. Rest!” Ariel was
kneeling by his bed, pressing his hands, hot with her tears for all
their waning life, against her cheeks. “Everything will be all right.
There is _nothing_, nothing at all to worry about. Only never forget me.
Don’t go so far that you forget me. Don’t go far. Not far....”
Public-domain text, read in full here on John Shaqi.
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