Ariel stood at her window, that first morning at Wild Acres, for some time before dressing, and looked out into the black branches of the snow-floored woods. The trees pressed up to the window panes. So Wild Acres was really wild. She was curious to look from all the windows and to explore the big, rambling house from top to bottom. After nine hours of dreamless sleep, her body warm between sheets and light blankets, her face deliciously cool in the cold, woodsy air of the little guest room, Ariel had waked with a sense of happiness. The carpet of snow in the woods below her was a thin veil, ever so thin, drawn over the spring-to-come: green leaves, moss, butterflies, birds, hot sunshine, cool shade and myriads and myriads of _violets_. Hugh had promised her violets. At any moment the veil might tremble, blow to one side, and that world of wings and scent and color rise to the window and envelop her with joy. But meanwhile the white, clear-smelling snow (she had seen snow before in imagination, as she had told Hugh, but she had never smelled it), the ebony black of bare tree boles, roots and limbs and twigs, were all just pictures on a veil over Spring’s face. Ariel was glad she had come to Wild Acres before the veil blew off. She was so happy, standing there at the window, still in her nightgown, that she was frightened of it. It was like too piercingly beautiful a note in music. She felt besieged by happiness from every side. Involuntarily she looked into the actualities of her life for escape. There were avenues enough there, leading back into loneliness, self-distrusts and that wide, wide avenue ending at a grave and her grief. But strangely, they closed and shut her out when she would have entered them. The black trees, the clear-smelling snow, and all those hidden wings and joys of spring were opening to her, and grief was shut. As she bathed and dressed, she remembered with wonder the mood in which she had gone to bed. She had been lonely and dazed. Too heartsick even to cry, she had said her prayers lying on her face in bed, without caring enough to kneel. And then, her mind blunted by misery, she had fallen on sleep,—as Samurai in Japanese prints fall on their swords. She brushed at her hair until it glimmered to silver and every curl had a separate life. She knew that her hair was lovely. Her father had never tired of praising it and painting it. Ash-colored in some lights, it was silvery in others, palest gold in others. Sometimes it seemed the absorption of light itself. And it curled in close, soft curls at her neck. That blond hair, and her grace of movement, were her claims to beauty. But at the minute she was seeing her narrow green eyes in the mirror, and her thin, pale mouth with its pointed corners. She knew that the Weymans must think her plain, but to-day she would not be bothered even to care.