“But I do smell them. Anyway, I feel them coming. Let’s dance. Come,
let’s dance to meet them.” Ariel’s happiness was overflowing, bubbling
up before these children. All the morning, since waking and discovering
that happiness had come to her in sleep, she had held it still, within
herself. But now this unexpected meeting with the children, and more
particularly Nicky’s glad-grave eyes, had broken down her reserve. She
was at one with the children, as spontaneous as they in what she said
and did. “Come, dance,” she laughed, wrinkling her eyes like a merry
little girl, eyes very narrow, very green in the sunlight, and snatched
at their hands.
But they were new at this game. _They_ did not dance as easily as they
laughed or sang to express their happiness. And their clumsy overshoes
dragged over the ground. Ariel let them go. Stood for a minute, let down
by them.
“You dance!” Persis cried. “Dance like your feather danced in the wind
on deck. Be a feather. Nicky says you and the feather are really twins,
only the feather has been magic’d.”
“No,” Nicky denied calmly, and still grave. “I said _she_ had been
magic’d into a human. She and the fairy feather were twins before the
magicking. You are mixed up, Persis.”
“Oh, no,” Ariel assured them quickly. “I’m a real girl. I haven’t been
magic’d from something else. Truly. But I’ll dance.”
She slipped out of her coat, tossed it behind her into the snowy woods
whence she had appeared to the children. It lay in a heap there on the
wet snow, hardly distinguishable from snow in its own whiteness. But a
touch of the scarlet lining—it might have been crushed red
winterberries, though—gave it away. She threw her green hat down
somewhere else. Kicked her rubbers off anywhere. And began to dance.
She danced to meet the violets. She danced right through the leaf mold
into their golden mysterious hearts. And the music she danced to was the
unheard rhythms of earth and sky and woods. But sometimes she hummed,
beelike, beneath her breath. Her clinging green jersey frock etched her
figure sharply against the black-violet-white background of the woods.
Two hairpins slipped down her neck, and then her hair was of the rhythm.
Pale gold on the air. Like March sunshine.
Soon the patterns of the rhythms she was attuned to took her in wider
and wider circles. Then crescents. Then stars. The children backed away
farther and farther from the reach of the dance, but never for an
instant did their fascinated eyes leave the heart of the lovely patterns
of music and stars and moons, the heart that was the dancing Ariel. They
knew that she was dancing happiness, that all this glamour and
beautifulness of motion and that low humming they heard sometimes
through it all, were happiness. But they thought it came from their own
hearts. They scarcely separated their happiness, while she danced, from
the dancer’s. She was their happiness come out of their hearts into form
and motion.
Public-domain text, read in full here on John Shaqi.
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