On the other hand, there are many pure and spontaneous parts in the
minor works: even the imitations of Horace, of Catullus, of Tibullus
in the Latin poems, do not produce a sense of coldness, because we
feel that they are inspired with devotion of the humanists for the
Latins, for "my Latins," as he affectionately called them; and the
heart of the poet often beats with theirs, whether he be lamenting
the death of a friend and companion, or drawing the portrait of some
fair lady, or describing the delights of the country, or inveighing
against some treacherous and venal woman. In like manner, we observe
some fine traits of lofty emotion among the Italian poems, such as the
two songs for Philiberta of Savoy; and the true accents of his love
find their way to utterance among the Petrarchan, the madrigalesque and
the courtly qualities of others. Such is the song celebrating their
first meeting, in which he records the Florentine _festa,_ where he
saw her who was to become his mistress, and who immediately occupied a
place above all other women in his eyes, her whose fair, dense hair,
as it shaded her cheeks and neck and fell upon her shoulders, whose
rich silken robe adorned with scarlet and gold, became part of his
soul; and the elegy which is an outburst of joy upon having attained
the desired felicity; and that other which records the lovers' meeting
at night; then too the chapter upon the visit to Florence, where all
the attractions of the sweet city failed to secure fer him a moment's
respite, eager as he was to return to the longed-for presence of
the loved one, whom he describes poetically in her absence as a fair
magician:
"Oltra acque, monti, a ripa l'onda vaga
Del re de' fiumi, in bianca e pura stola,
Cantando ferma il sol la bella maga,
Che con sua vista può sanarmi sola."
and in the sonnet which ends:
"Ma benigne accoglienze, ma complessi
Licenziosi, ma parole sciolte
D'ogni freno, ma risi, vezzi e giuochi."
They are often echoes of the erotic Latin poets, refreshed by the true
condition of his own spirit which, in the passion of love, never went
beyond a tender and somewhat slight degree of sensuality. It would be
vain to seek in him what he does not possess--that suave imagining,
those cosmical analogies, those moral finesses and lofty thoughts,
which are to be found in other poets of love.
Public-domain text, read in full here on John Shaqi.
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