Ariosto was also a more or less successful humanist in certain of his
minor works, as we have said, but in the _Furioso,_ although he took
many schemes and details from Latin poets, he stands essentially
outside their line of inspiration, for instead of directing his spirit
towards the past, he always draws the past towards his spirit, and
there is no observable trace in it of Latin-Augustan archaism, or of
the archaism of medieval chivalry. For this reason, the view that he
had Art itself as his content must be taken as applicable without doubt
in the other sense to him and to certain other artists: as devotion to
Art as universal, to Art in its Idea, a devotion which is bodied forth
in his narratives, his figures and his verse.
Now it must be remembered that Art in its Idea is nothing but
expression or--representation of the real,--of the real which is
conflict and strife, but a conflict and a strife that are always being
settled; that it is multiplicity and diversity, but at the same time
unity, dialectic and development, and also and through that, cosmos and
Harmony. And since Art cannot be the content of Art, that is to say,
it is impossible to represent representation (as it is impossible to
think thought, so that if thought is made the object of thought, it is
always itself and the other, that is to say, the whole), by eliding
the term which is superfluous and has been unduly retained, we obtain
the result that when it is stated of Ariosto or of other artists
that they have for content pure Art or pure Form, it is really to be
understood that they have for content devotion to the pure rhythm of
the universe, for the dialectic which is unity, for the development
which is _Harmony._ Thus, if humanistic or otherwise archaistic artists
do not as is generally believed love beautiful forms, but rather the
past and history, it may be said of those others that they do not love
pure Art, but the _pure and universal content_ of Art, not this or that
particular strife and Harmony (erotic, political, moral, religious, and
so on), but strife and _Harmony_ in idea and eternal.
Public-domain text, read in full here on John Shaqi.
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