The characters represented are only five. “People” is a rich householder--selfish, superstitious, and sensual--who employs a kind of major-domo to look after his business and manage his slaves. He has had several in succession, from time to time. The present man is known in the household as “The Paphlagonian,” or sometimes as “The Tanner”--for the poet does not venture to do more than thus indicate Cleon by names which refer either to some asserted barbarian blood in his family, or to the occupation followed by his father. He is an unprincipled, lying rascal; a slave himself, fawning and obsequious to his master, while cheating him abominably--insolent and bullying towards the fellow-slaves who are under his command. Two of these are Nicias and Demosthenes--the first of them holding the chief naval command at this time, with Demosthenes as one of his vice-admirals. These characters bear the real names in most of the manuscripts, though they are never so addressed in the dialogue; but they would be readily known to the audience by the masks in which the actors performed the parts. But in the case of Cleon, no artist was found bold enough to risk his powerful vengeance by caricaturing his features, and no actor dared to represent him on the stage. Aristophanes is said to have played the part himself, with his face, in the absence of a mask, smeared with wine-lees, after the primitive fashion, when “comedy” was nothing more than a village revel in celebration of the vintage. Such a disguise, moreover, served excellently well, as he declared, to imitate the purple and bloated visage of the demagogue. The remaining character is that of “The Black-pudding-Seller,” whose business in the piece will be better understood as it proceeds. The whole action takes place without change of scene (excepting the final tableau) in the open air, in front of Demus’s house, the entrance to which is in the centre of the proscenium. The two slaves, Nicias and Demosthenes, come out rubbing their shoulders. They have just had a lashing from the major-domo. After mutual condolences, and complaints of their hard lot, they agree to sit down together and howl in concert--to the last new fashionable tune-- “Ŏ ōħ, Ŏ ōħ,--Ŏ ōħ, Ŏ ōħ,--Ŏ ōħ, Ŏ ōħ!”