The concluding scene brings out in strong contrast the delights of peace
and the miseries of war. General Lamachus has heard of the new market,
and cannot resist the temptation to taste once more some of its now
contraband luxuries. He sends a slave to buy for him a three-shilling
eel. But no eel shall the man of war get from Dicæopolis--no, not if he
would give his gorgon-faced shield for it; and the messenger has to
return to his master empty. A farmer who has lost his oxen in one of the
raids made by the enemy, and has heard of the private supply of Peace
which is in the possession of Dicæopolis, comes to buy a small measure
of it for himself, even if not of the strongest quality--the
“five-years’ sort” would do. But he asks in vain. Next arrives a
messenger from a newly-married bridegroom, who has a natural dislike
under the circumstances to go on military service. Would Dicæopolis
oblige him with a little of this blessed balsam, so that he may stay at
home this one campaign?
“_Dic._ Take it away;
I would not part with a particle of my balsam
For all the world; not for a thousand drachmas.
But that young woman there--who’s she?
_Mess._ The bridesmaid,
With a particular message from the bride,
Wishing to speak a word in private with you.
_Dic._ Well, what have ye got to say? let’s hear it all.
Come--step this way--no, nearer--in a whisper--
Nearer, I say--Come then, now, tell me about it.
(_After listening with comic attention to a
supposed whisper._)
O, bless me! what a capital, comical,
Extraordinary string of female reasons
For keeping a young bridegroom safe at home!
Well, we’ll indulge her, since she’s only a woman;
She’s not obliged to serve; bring out the balsam!
Come, where’s your little vial?”--(F.)
Public-domain text, read in full here on John Shaqi.
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