The term “Sophist,” though in its original and wider sense it was
applied to the professors of philosophy generally, had come to mean, in
the popular language of Athens, those who, for pay, undertook to teach a
method of rhetoric and argument by which a man might prove anything
whatever. It is against these public lecturers, who either taught or
were commonly believed to teach this perversion of the great science of
dialectics, that Aristophanes brings the whole weight of his biting
humour to bear in ‘The Clouds.’ This is no place to inquire how far the
accusation brought against them was or was not a fair one, or whether
that abuse of their powers which was the disgrace of a few may not have
been attributed by unjust clamour to a whole class of public teachers in
which they were but the exceptions. It is possible to believe not only,
with Mr Grote, that the Sophists “bear the penalty of their name in its
modern sense,” but also that in their own day they bore the penalty of
superior ability and intelligence in becoming the objects of dislike,
and therefore of misrepresentation, and yet to understand how they may
have afforded very fair material for the professional satirist. The art
of public speaking, which these professors taught, is a powerful engine,
which in unscrupulous hands may do as much to mislead as to instruct.
That the love of disputation and the consciousness of power will tempt a
clever man to maintain a paradox, and discomfit an opponent by what he
knows to be a fallacy--that a keen intellect will delight in questioning
an established belief--and that the shallow self-sufficiency of younger
disciples will push any doctrine to its wildest extremes,--are moral
facts for whose confirmation we have no need to go to ancient history.
And we are not to suppose that either the poet or his audience intended
the fun of the piece to be taken as serious evidence either of the
opinions or the practice of any school whatever.
Public-domain text, read in full here on John Shaqi.
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