Armenia, a martyr nation: A historical sketch of the Armenian people from traditional times to the present tragic daysGabrielian, Mugurdich Chojhauji
History
Armenia, a martyr nation: A historical sketch of the Armenian people from traditional times to the present tragic days
Gabrielian, Mugurdich Chojhauji
Armenia; Armenian question
Its boundaries varied at different times. According to the native
historians, the country reached its greatest extent under the reigns
of the Kings Aram and Tigranes II. The former is mentioned by the
Assyrian kings, the latter was well-known in the first century B.C. “It
(Armenia) varied in extent at different epochs, but it may be regarded
as lying between lat. 36° 50´ and 41° 41´ N., and lon. 36° 20´ and 48°
40´ E.” It must have been between six and seven hundred miles from east
to west and from two hundred and fifty to three hundred miles from
north to south.
The country of Armenia was divided into two main divisions, namely,
Armenia Major and Armenia Minor, or the Greater and Less Armenia.
Greater Armenia which comprised the larger part of the country extended
from the eastern boundary to the Euphrates river, and Armenia Minor
extended from the Euphrates to Asia Minor. This ancient river thus made
a dividing line between the two main divisions of the country. Armenia
Major was again divided into fifteen provinces.
Armenia is a highland from 4000 to 7000 feet above the level of the
sea. Its surface is undulated with beautiful dells and hills, with
fertile valleys and forest covered mountains, with richly productive
and extensive plains and pasture lands, and lofty snow capped mountains
with glittering snowy peaks, piercing the clear blue sky.
The highest mountain of western Asia is situated at the center of
Armenia. It is the Mount Masis of the natives, and Mount Ararat of the
Europeans, and is of unsurpassed beauty, magnificence and grandeur. No
traveler has ever yet seen it and not spoken of it with admiration.
“The impression made by Ararat upon the mind of every one who has any
sensibility of the stupendous works of the Creator, is wonderful and
overpowering, and many a traveler of genius and taste has employed
both the power of the pen and of the pencil in attempting to portray
this impression, but the consciousness that no description, no
representation can reach the sublimity of the object thus attempted
to be depicted, must prove to the candid mind that whether we address
the ear or eye, it is difficult to avoid the poetic in expression and
exaggeration in form, and confine ourselves strictly within the bound
of consistency and truth.
“Nothing can be more beautiful than its shape, more awful than its
height. All the surrounding mountains sink into insignificance when
compared to it. It is perfect in all its parts; no hard rugged
features, no unnatural prominence; everything is in harmony, and all
combined to render it one of the sublimest objects in nature.
Public-domain text, read in full here on John Shaqi.
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