Arminell: A Social Romance, Vol. 2Baring-Gould, S. (Sabine)
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Arminell: A Social Romance, Vol. 2
Baring-Gould, S. (Sabine)
English fiction -- 19th century
There are a good many men as well as women who appear in the best courts
nowadays with hair about their hocks; they have been insufficiently
groomed. But in this they differ from the Queen of Sheba, that they
persistently show us their hocks, and even thrust them in our faces.
Merciful powers! how many half-broken, ill-trimmed cobs I have met with,
kicking up their undocked heels, showing us that they can jump over
poles and overleap hurdles, that they can balance themselves on chairs,
and dance and rear on their hind legs, and paw the air, and whinny for
applause. We politely pat our palms, and look all the while, not at
their antics, but at their hocks, not at all impressed with their silver
and spangled trappings, but very conscious of the hair about their
hoofs.
It is the fashion for moralists to hold up their hands, and shake their
heads, and declaim against the artificialities, the disguises of social
life, and to say that every word spoken and look given should be
sincere; that men and women should scorn concealment and hate
subterfuge. But—would the world be tolerable were it so constituted? I
mean the world of men. Is it so in the world of nature? Is that above
screens and disguises? Is that ruthlessly true, and offensively genuine
in its operations? Where is there not manifest a desire to draw the veil
over what is harsh and unbecoming? The very earth covers her bald places
with verdure, obscures her wounds and drapes her ragged edges. So the
function of culture is the softening of what is rough, the screening of
what is unseemly, the disguising of all that may occasion pain. It is
nothing else but charity in its most graceful form, that spares another
at the cost of self.
I have been in a volcanic region where there were innumerable craters,
great and small. Those on the plain, hardly rising above a few feet out
of it, showed all their bare horror, their torn lips, their black
throats, their sides bristling with the angular lava that had boiled out
of their hot and angry hearts, long ago, but ever showing. They were
perfectly genuine, expressing their true nature in ugly nakedness. But
there were other volcanoes rising to mountain heights, and these had
mantled themselves in snow, had choked and smoothed over their clefts,
and hung garlands of silver, and dropped gauzy veils over their vitreous
precipices; the very craters, the sources of the fire, were filled to
the brim and heaped up to overflow with unsullied snow, rising white,
rounded, innocent, as a maiden’s bosom. Which was best? I know which was
the pleasantest to see.
So is it with humanity. We are all volcanoes with fire in our hearts.
Some have broken forth and torn themselves to pieces, some are in a
chronic state of fume, and dribble lava and splutter cinders
perpetually, and others are exhausted. Surely it is best to hide our
fires, and drape our savagery, and bury our snags and dust the white
snow over all that is rugged and gloomy and ungentle.
Public-domain text, read in full here on John Shaqi.
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