I, who write this, know full well that I shall find readers, and encounter critics who will pronounce the case of Captain Saltren impossible; because in the London clubs and in country houses no such delusions are found. What! are we not all engaged in blowing soap-bubbles, in painting mirages, in spinning cobwebs? But then our soap-bubbles, our mirages, our cobwebs, in which we, unlike spiders, entangle ourselves, are not theological, but social and political. Do we not weave out of our own bowels vast webs, and hang them up in the sight of all as substantial realities? And are we not surprised with paralysing amazement when we discover that the bubbles we have blown are not new created worlds, and our cobwebs are dissolved by a touch? I have seen in Innsbruck pictures painted on cobwebs of close texture, with infinite dexterity and patient toil. We not only spin our cobwebs, but paint on them, though I allow we do not picture on them sacred images. Why, my own path is strewn with these gossamer webs of my own weaving that never caught any other midge than my own insignificant self; me they entangled, they choked my windpipe, they filled my eyes, they clogged my ears. Look back, critical reader, at your own course, and see if it be not encumbered with such torn and trampled cobwebs. There is a great German book of nine volumes, each of over a thousand pages, and it is entitled “The History of Human Folly.” Alas, it is not complete! It gives but the record of the inconceivable follies of a few most salient characters. But in our own towns, in our villages, in our immediate families, what histories of human folly there are unwritten, but well known, I go closer home—in our own lives there is a volume for every year recording our delusions and our inconsequences. In our Latin grammars we learned “Nemo omnibus horis sapit,” but that may be better rendered, “Quis non omnibus horis delirat?” The anthropologist and antiquary delight in exploring the kitchen middens of a lost race, heaps of bones, and shells, and broken potsherds rejected by a population that lived in pre-historic times. But, oh, what kitchen middens are about our own selves, at our own doors, of empty shells and dismarrowed bones of old convictions, old superstitions, old conceits, old ambitions, old hopes! Where is the meat? Where the nutriment? Nowhere; gone past recall; only the dead husks, and shells, and bones, and potsherds remain. Open your desk, pull out the secret drawer, and what are revealed? A dry flower—the refuse scrap of an old passion; a worthless voucher of a bad investment; a MS. poem which was refused by every magazine; a mother’s Bible, monument of a dead belief. Go, turn over your own kitchen middens, and then come and argue with me that such a delusion as that of Captain Saltren is impossible. I tell you it is paralleled every year.