Armorel of Lyonesse: A Romance of To-dayBesant, Walter
General
Armorel of Lyonesse: A Romance of To-day
Besant, Walter
Fraud -- Fiction; Isles of Scilly (England) -- Fiction; London (England) -- Fiction
'If you painted those eyes when she was giving away her heart it might
lead to another and a later picture when she was giving away her
temper. Eyes which hold the light also hold the fire. You might be
killed with lightning, or, at least, blinded with excess of light.
Take care!'
'Better be blinded with excess of light than pass by insensible. Some
men are worse than the fellow with the muck-rake. He was only
insensible to a golden crown; they are insensible to Venus. Without
loveliness, where is love? Without love, what is life?'
'Yet,' said Dick, drily, 'most of us have got to shape our lives for
ourselves before we can afford to think of Venus.'
It will be understood that these two young men represented two large
classes of humanity. One would not go so far as to say that mankind
may be divided into those two classes only: but, undoubtedly, they are
always with us. First, the young man who walketh humbly, doing his
appointed task with honesty, and taking with gratitude any good thing
that is bestowed upon him by Fate. Next, the young man who believes
that the whole round world and all that therein is are created for his
own special pleasure and enjoyment; that for him the lovely girls
attire themselves, and for his pleasure go forth to dance and ball;
for him the actress plays her best; for him the feasts are spread, the
corks are popped, the fruits are ripened, the suns shine. To the
former class belonged Dick Stephenson: to the latter, Roland Lee.
Indeed, the artistic temperament not uncommonly enlists a young man in
the latter class.
'Look!' cried the artist. 'She sees us. She is coming down the hill.
Even you can see her now. Oh! the light, elastic step! Nothing in the
world more beautiful than the light, elastic step of a girl. Somehow,
I don't remember it in pictures. Perhaps--some day--I may----' He
began to talk in unconnected jerks. 'As for the Greek maiden by the
sea-shore playing at ball and showing bony shoulders, and all that--I
don't like it. Only very young girls should play at ball and jump
about--not women grown and formed. They may walk or spring as much as
they like, but they must not jump, and they must not run. They must
not laugh loud. Violent emotions are masculine. Figure and dress alike
make violence ungraceful: that is why I don't like to see women jump
about. If they knew how it uglifies most of them! Armorel is only a
child--yes--but how graceful, how complete she is in her movements!'
She was now visible, even to a short-sighted man, tripping lightly
through the fern on the slope of the hill. As she ran, she tossed her
arms to balance herself from boulder to boulder. She was singing, too,
but those in the boat could not hear her; and before the keel touched
the sand she was silent.
Public-domain text, read in full here on John Shaqi.
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