The brass of an unknown knight (Plate III, 6) is typical of what has come to be known as the 'Camail' period. The arm-and leg-pieces completely enclose the limb and are fastened with hinges and straps as in the later periods. The gauntlets show the Gadlings, or knuckle-knobs, which are a marked feature of this period, and the whole suit is richly decorated with engraved borders. Some writers divide the Transition Period of armour into 'Surcoat', 'Cyclas', 'Jupon', and 'Tabard'. This, however, seems unnecessary if we are considering only the development of defensive armour, and not the whole question of costume. The camail is so marked a detail of the knightly equipment that it may reasonably be used to describe the fashion in armour from about 1360 to 1405. In this example the figure is clad in complete plate, though the hauberk is worn beneath, as may be seen at the lower edge of the jupon and also in the '_vif de l'harnois_', or portion of the body at the armpit, which was unprotected by plate. In some instances this vital spot was protected by a circular, oval, crescent-shaped, or square plate attached by laces, which modern writers call the Rondel, but which Viscount Dillon, in a most interesting article, proves to have been the Moton or Besague[15] (Fig. 15). The effigy of the Black Prince at Canterbury is a good example of the armour of this period, but it is interesting to note that, while the monumental brasses frequently give such details as straps, buckles, &c., this effigy shows no constructional detail whatever. We find that in Spain there were minute regulations drawn up as to the manner in which a deceased warrior might be represented on his tomb. The details of sheathed or unsheathed sword, helm, spurs, &c., all had some significant reference to his life and achievements.[16] It is almost superfluous to point out that those details which referred to the knight's captivity, or the fact that he had been vanquished, were more honoured in the breach than in the observance. [Illustration: FIG. 15. Brass of Sir T. de S. Quentin, Harpham, Yorks, 1420.] [Illustration: FIG. 16. Knightly figure in Ash Church, Kent, fourteenth century.] [Illustration: FIG. 17. Bib. Nat., Paris, _Tite-Live_, 1350.]