It is somewhat difficult to explain this ingenious arrangement in
words, but Fig. 27 will show how the straps and rivets are set. When the
tassets were discarded about the end of the sixteenth century the cuisses
were laminated in this way from waist to knee.
[Illustration: PLATE VII
1. Passe-guard 2. Grand-guard 3. Tilting cuisse 4. Half suit for the
Stechzeug, Nuremberg 1450-1500 a. Polder mitton b. Lance rest c. Queue]
[Illustration: FIG. 26. Soleret.]
[Illustration: FIG. 27. Method of using sliding rivets.]
The gauntlet is generally found with a stiff cuff, and from wrist to
knuckles the plates in narrow arches overlap towards the arm, where they
join a wider plate which underlaps the cuff. The knuckle-plate is usually
ridged with a rope-shaped crest or with bosses imitating the knuckles. The
fingers are protected by small plates, from four on the fourth finger to
six on the second finger (in some examples there are more or less), which
overlap from knuckle to finger-tip. The thumb is covered in like manner,
but has a lozenge-shaped plate to connect it to the cuff. This metal
hand-covering was sewn on to a leather glove or attached to it with
leather loops (Fig. 28). The vambrace is generally rigid, either a solid
tube or hinged on the outside and fastened on the inside by straps or
hooks. It is held to the lower edge of the coude by a rivet. The lower
portion of the rerebrace is also tubular, while the upper portion, where
it joins the pauldron, is often laminated, with the plates overlapping,
downwards as a rule, though there are instances of these plates
overlapping upwards. They are joined in the same way as the laminated
tassets by a riveted strap on the inner side, and by sliding rivets at the
back, thus giving the arm freedom of movement forwards in the direction
most needed, but less freedom towards the back.
These sliding rivets working in slots have come to be called 'Almain'
rivets from the fact that the Almain rivet, a light half suit of armour,
was put together to a great extent by this method. These suits will be
referred to later in the chapter.
[Illustration: FIG. 28. Gauntlet.]
[Illustration: FIG. 29. Turning 'lock-pins'.]
[Illustration: FIG. 30. Gorget.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account