Illuminated manuscripts present more difficulty. The miniature painter of the period was often fantastic in his ideas, and was certainly not an antiquary. Even the giants of the Renaissance, Raphael, Mantegna, Titian, and the rest, saw nothing incongruous in arming St. George in a suit of Milanese plate, or a Roman soldier of the first years of the Christian epoch in a fluted breastplate of Nuremberg make. Religious and historical legends were in those days present and living realities and, to the unlearned, details of antiquarian interest would have been useless for instructive purposes, whereas the garbing of mythical or historical characters in the dress of the period made their lives and actions seem a part of the everyday life of those who studied them. This being the case, we must use our judgement in researches among illustrated manuscripts, and must be prepared for anachronisms. For example, we find that in the illustrated Froissart in the British Museum, known as the 'Philip de Commines' copy,[1] the barrier or 'tilt' which separated the knights when jousting is represented in the Tournament of St. Inglevert. Now this tournament took place in the year 1389; but Monstrelet tells us[2] that the tilt was first used at Arras in 1429, that is, some forty years after. This illustrated edition of Froissart was produced at the end of the fifteenth century, when the tilt was in common use; so we must, in this and in other like cases, use the illustrations not as examples of the periods which they record, but as delineations of the manners, customs, and dress of the period at which they were produced. The different methods of arming were much the same all over Europe; but in England fashions were adopted only after they had been in vogue for some years in France, Italy, and Germany. We may pride ourselves, however, on the fact that our ancestors were not so prone to exaggeration in style or to the over-ornate so-called decoration which was in such favour on the Continent during the latter part of the sixteenth and the first half of the seventeenth centuries.