Arqtiq: A Study of the Marvels at the North PoleAdolph, Anna
Science
Arqtiq: A Study of the Marvels at the North Pole
Adolph, Anna
Adventure stories; Feminist fiction; North Pole -- Fiction; Science fiction; Utopian fiction
The evolutions ended, the two lines join, and the crowd standing, all
sing.
E’er the sun our father leaves us
He, as a parent, leads us
To the indoor mother’s side
To spend the winter tide.
The candidates, now in full view, are recognized by Robet with
consternation. “Roban’s son, and his daughter,” are her startling words.
We all turn silently toward Roban’s home. The ceremonies now ended. The
new city officers, receiving congratulations around, also join our
party, staying in our rear.
The castle supposed to be open is not so now, but is double barred
inside against us, as we arrive.
Through the crystal portal, we see in the center court, sitting
nonchalantly as revengefully, the man who rode over us. We are out in
the cold, and what is worse, quite hungry.
Savant calls out, “Hello, neighbor.” He arises and is about to come
forward, when his daughter laughs out, “Now papa, good papa,” which
stops him, and he turns square his back to us.
Beyond and near to him is a revolving plant stand, reaching high above
his head. A plant is moving mysteriously. I see my father under a leaf
(I had not missed him). He is arranging something under a blossom. I
cannot tell what.
Now before us and at our feet down drops the nervous Robet, who cannot
keep her dignity longer.
Around goes the plant stand and sounds out this word, which is from a
phonograph (placed by father) in Arc, “Look ye.” Around again, it is
above him. “Looky,” now one side, now behind. Mystified, the stolid man
looks around as directed, not at our faces, where he will see the
mirthful countenance of his daughter, but at our feet where he sees a
countenance pale and in tears. The spell is broken, and as father leaps
on his shoulder like a good fairy, he lets us in.
A castle band now starts up to a tune resembling the snapping of a fire,
reminding us of the day of the Inning Fireside. Now crackling forth with
renewed zest, the people arrange themselves in cavalcade, and slowly
march, with spiral inclination, around the hall, towards its center.
Robet, supported by her lover, pulls me out of her bag to amuse him,
much to my ill-will. But father winks to me over his head, and pulls his
hair. Nearing the center of the room, the Traveler firmly and (I see his
daughter grimacing close by) turning from the pleading Robet goes out of
the room, and out of the house, disappearing down the street.
Public-domain text, read in full here on John Shaqi.
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