Arqtiq: A Study of the Marvels at the North PoleAdolph, Anna
Science
Arqtiq: A Study of the Marvels at the North Pole
Adolph, Anna
Adventure stories; Feminist fiction; North Pole -- Fiction; Science fiction; Utopian fiction
I muse on until in time we salute the desert plain, with its sage brush
and dog cities. Stations are not hailed by us (as in time a small crowd
awaits us). Silently we appear; like a shadow disappear.
Our seats are so constructed that we can stand and exercise, rock or lie
down at ease. Partaking our meals without alighting, we have no occasion
to lose time. Our casing open, banners flying. I have brought handwork
and books. Father is carving on some queer rotary wheel that gives three
separate motions. Charley and Mae, on the seat in front, amuse each
other and call us to the special sights.
Chicago! We leisurely arrive and traverse silently, street after street,
sadly impressed that the continuous magnificence in equality of
buildings, found nowhere else, was dearly bought.
Citizens are crowding our path; obstructing our progress by their
progressive ardor, for some one has telegraphed them of our intended
exploration; to our unexpected aspirations, unheeding our desires, they
hurrah lustily for our success.
Thanking them, we start on, grateful in our hearts for their sympathy.
We do not stop in any other city, even passing over the suspension
bridge quite silently, though lost in ecstasy at its cataract view.
Evading detention in New York, we whirl over the Brooklyn Bridge without
minding the many curious gazers.
Arriving at Coney Island beach, though a storm is coming on, we light
our interior and in the dusk are about to drop into the sea. A shout
goes up outside and strong hands hold us. Near us is a carriage whose
horses we had frightened. In it is an aged man of martial bearing, who
recognizes my father.
“Oh, it is _you_, is it, meandering at night like a firebug. Turn around
now and go home with me,” he said, cordially.
“Haven’t time; we are bound to the North Pole.” Hurrying up so quickly,
we break away and sink beneath the toppling waves.
Pelted and tossed all night we welcome daylight; but flash, crack, roar,
we draw ourselves closer together, and sink in the depths beneath the
turmoil, to find other disturbance. A massed army of swordfish hold
battle-front with glowing eyes to an opposing array of giant whales, who
ponderously coming, lash the sea into a vortex.
The two columns colliding, the first leap in white streaks, curl, and
land on the latter’s backs, dip and dye their swords. The whales shake
them off and beat them to death in myriads, to be followed by myriads
more, until the sea is red, when suddenly the cavalry swords fly,
disappearing in the distance.
The victorious artillery, the whales, blow themselves, weariedly. We go
closer to them—too close—as they are a warrior band. A big general opens
his mouth towards us, disconcerting to our stomachs; we beat a hasty
retreat to a safe distance, where we watch the camp followers, a
jumbling mass of veritable sea monsters.
Public-domain text, read in full here on John Shaqi.
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