Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
And let not the contest of the noble steeds escape you; the roomy Circus
of the people has many advantages. There is no need there of fingers,
with which to talk over your secrets; nor must a hint be taken by you
through nods. Be seated next to your mistress, there being no one to
prevent it; press your side to her side as close as ever you can; and
conveniently enough, because the partition [723] compels you to sit
close, even if she be unwilling; and because, by the custom of the
place, the fair one must be touched by you. Here let the occasion be
sought by you for some friendly chat, and let the usual subjects [724]
lead to the first words. Take care, and enquire, with an air of Anxiety,
whose horses those are, coming; and without delay, whoever it is to whom
she wishes well, to him do you also wish well. But when the thronged
procession shall walk with the holy statues of ivory, [725] do you
applaud your mistress Venus with zealous hand. And, as often happens, if
perchance a little dust should fall on the bosom of the fair, it must
be brushed off with your fingers [726] and if there should be no
dust, still brush off that none; let any excuse be a prelude to your
attentions. If her mantle, hanging too low, shall be trailing on the
earth, gather it up, and carefully raise it from the dirty ground. [727]
At once, as the reward of your attention, the fair permitting it, her
ancles will chance to be seen by your eyes. Look, too, behind, who shall
be sitting behind you, that he may not press her tender back with his
knee against it. [728] Trifles attract trifling minds. It has proved
to the advantage of many a one, to make a cushion with his ready hand.
[729] It has been of use, too, to waft a breeze with the graceful fan,
and to place the hollow footstool beneath her delicate feet. Both the
Circus, and the sand spread for its sad duties [730] in the bustling
Forum, will afford these overtures to a dawning passion. On that sand,
oft has the son of Venus fought; and he who has come to be a spectator
of wounds, himself receives a wound. [731] While he is talking, and is
touching her hand, and is asking for the racing list; [732] and, having
deposited the stake, [733] is enquiring which has conquered, wounded, he
sighs, and feels the flying dart, and, himself, becomes a portion of the
spectacle so viewed.
Public-domain text, read in full here on John Shaqi.
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