Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious NotesOvid
General
Ars Amatoria; or, The Art Of Love: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 935: Through the open roof.--Ver. 245. He gives a somewhat
hazardous piece of advice here; as he instructs him to obtain admission
by climbing up the wall, and getting in at the skylight, which extended
over the 'atrium,' or 'court,' a room which occupied the middle of
the house. The Roman houses had, in general, but one story over the
ground-floor.]
[Footnote 936: The high window.--Ver. 246. This passage may be
illustrated by the Note to 1. 752: of Book xiv. of the Metamorphoses.]
[Footnote 937: Day on which.--Ver. 257. He alluded to a festival
celebrated by the servants, on the Caprotine Nones, the seventh of
July, when they sacrificed to 'Juno Caprotina.' Macrobius says that the
servants sacrificed to Juno under a wild fig-tree (called 'caprificus'),
in memory of the service done by the female slaves, in exposing
themselves to the lust ot the enemy, for the public welfare. The Gauls
being driven from the city, the neighbouring nations chose the Dictator
of the Fidenates for their chief, and, marching to Rome, demanded of the
Senate, that if they would save their city, they should send out to them
their wives and daughters The Senate, knowing their own weakness, were
much perplexed, when a handmaid, named 'Tutela,' or 'Philotis,'
offered, with some others, to go out to the enemy in disguise. Being,
accordingly, dressed like free women, they repaired in tears to the camp
of the enemy. They soon induced their new acquaintances to drink, on
the pretence that they were bound to consider the day as a festival;
and when intoxicated, a signal was giver, from a fig tree near, that the
Romans should fall on them. The camp of the enemy was assailed, and most
of them were slain. In return for their service, the female, slaves were
made free, and received marriage portion? at the public expense. Another
account, agreeing with the present passage, says, that the Gauls were
the enemy who made the demand, and that Retana was the name of the
female slave.]
[Footnote 938: The lower classes.--Ver. 259. Witness his own appeals in
the Amores to Napè, Cypassis. Bagous, and the porter.]
[Footnote 939: In the Sacred Street.'--Ver. 266. Presents of game and
trout very often follow a similar devolution at the present day.]
[Footnote 940: Amaryllis was so fond of.--Ver. 267. He alludes to a
line of Virgil, which, doubtless, was then well known to all persons
of education. It occurs in the Eclogues: 'Castaneasque nuces, mea quas
Amaryllis amabat.' 'Chesnuts, too, which my Amaryllis was so fond of.'
In the next line, he hints that the damsels of his day were too greedy
to be satisfied with chesnuts only.]
[Footnote 941: Thrush and a pigeon.--Ver. 269. Probably live birds of
the kind are here alluded to; Pliny tells us that they were trained to
imitate the human voice. Thrushes were much esteemed as a delicacy for
the table. They were sold tied up in clusters, in the shape of a crown.]
Public-domain text, read in full here on John Shaqi.
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