“M. Formery and the inspector have just been up to examine the
housekeeper’s room. It’s right at the top of the house—on the second
floor. You take the servants’ staircase. Then it’s right at the end of
the passage on the left. Would you like me to take you up to it, sir?”
said the policeman eagerly. His heart was in his work.
“Thank you, I know where it is—I’ve just come from it,” said Guerchard
gently.
A grin of admiration widened the already wide mouth of the policeman,
and showed a row of very white, able-looking teeth.
“Ah, M. Guerchard!” he said, “you’re cleverer than all the examining
magistrates in Paris put together!”
“You ought not to say that, my good fellow. I can’t prevent you
thinking it, of course; but you ought not to say it,” said Guerchard
with husky gentleness; and the faintest smile played round the corners
of his mouth.
He walked slowly to the window, and the policeman walked with him.
“Have you noticed this, sir?” said the policeman, taking hold of the
top of the ladder with a powerful hand. “It’s probable that the
burglars came in and went away by this ladder.”
“Thank you,” said Guerchard.
“They have even left this card-table on the window-sill,” said the
policeman; and he patted the card-table with his other powerful hand.
“Thank you, thank you,” said Guerchard.
“They don’t think it’s Lupin’s work at all,” said the policeman. “They
think that Lupin’s letter announcing the burglary and these signatures
on the walls are only a ruse.”
“Is that so?” said Guerchard.
“Is there any way I can help you, sir?” said policeman.
“Yes,” said Guerchard. “Take up your post outside that door and admit
no one but M. Formery, the inspector, Bonavent, or Dieusy, without
consulting me.” And he pointed to the drawing-room door.
“Shan’t I admit the Duke of Charmerace? He’s taking a great interest in
this affair,” said the policeman.
“The Duke of Charmerace? Oh, yes—admit the Duke of Charmerace,” said
Guerchard.
The policeman went to his post of responsibility, a proud man.
Hardly had the door closed behind him when Guerchard was all
activity—activity and eyes. He examined the ladder, the gaps on the
wall from which the pictures had been taken, the signatures of Arsène
Lupin. The very next thing he did was to pick up the book which the
Duke had set on the top of the footprint again, to preserve it; and he
measured, pacing it, the distance between the footprint and the window.
The result of this measuring did not appear to cause him any
satisfaction, for he frowned, measured the distance again, and then
stared out of the window with a perplexed air, thinking hard. It was
curious that, when he concentrated himself on a process of reasoning,
his eyes seemed to lose something of their sharp brightness and grew a
little dim.
Public-domain text, read in full here on John Shaqi.
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