Art; Artists; Artists -- France -- Interviews; Sculpture
“To-day, artists and those who love artists seem like fossils. Imagine a
megatherium or a diplodocus stalking the streets of Paris! There you
have the impression that we must make upon our contemporaries. Ours is
an epoch of engineers and of manufacturers, not one of artists.
“The search in modern life is for utility; the endeavor is to improve
existence materially. Every day, science invents new processes for the
feeding, clothing, or transportation of man; she manufactures cheaply
inferior products in order to give adulterated luxuries to the greatest
number—though it is true that she has also made real improvements in all
that ministers to our daily wants. But it is no longer a question of
spirit, of thought, of dreams. Art is dead.
“Art is contemplation. It is the pleasure of the mind which searches
into nature and which there divines the spirit by which Nature herself
is animated. It is the joy of the intellect which sees clearly into the
Universe and which recreates it, with conscientious vision. Art is the
most sublime mission of man, since it is the expression of thought
seeking to understand the world and to make it understood.
“But to-day, mankind believes itself able to do without Art. It does not
wish to meditate, to contemplate, to dream; it wishes to enjoy
physically. The heights and the depths of truth are indifferent to it;
it is content to satisfy its bodily appetites. Mankind to-day is
brutish—it is not the stuff of which artists are made.
“Art, moreover, is taste. It is the reflection of the artist’s heart
upon all the objects that he creates. It is the smile of the human soul
upon the house and upon the furnishing. It is the charm of thought and
of sentiment embodied in all that is of use to man. But how many of our
contemporaries feel the necessity of taste in house or furnishing?
Formerly, in old France, Art was everywhere. The smallest bourgeois,
even the peasant, made use only of articles which pleased the eye. Their
chairs, their tables, their pitchers and their pots were beautiful.
To-day Art is banished from daily life. People say that the useful need
not be beautiful. All is ugly, all is made in haste and without grace by
stupid machines. The artist is regarded as an antagonist. Ah, my dear
Gsell, you wish to jot down an artist’s musings. Let me look at you! You
really are an extraordinary man!”
[Illustration:
AUGUSTE RODIN
From a drawing by William Rothenstein
Reproduced by permission of the Metropolitan Museum of Art
]
“I know,” I said, “that Art is the least concern of our epoch. But I
trust that this book may be a protest against the ideas of to-day. I
trust that your voice may awaken our contemporaries and help them to
understand the crime they commit in losing the best part of our national
inheritance—an intense love of Art and Beauty.”
“May the gods hear you!” Rodin answered.
* * * * *
Public-domain text, read in full here on John Shaqi.
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