Art; Artists; Artists -- France -- Interviews; Sculpture
Seen close to, this noble fragment of architecture is imposing. It is a
fine portal raised upon eight steps. On the pediment, which is supported
by columns, Themis surrounded by Loves is carved.
[Illustration:
EVE
By Rodin
]
“Formerly,” said my host, “this beautiful château rose on the slope of a
neighboring hill at Issy. I often admired it as I passed. But the land
speculators bought it and tore it down.” As he spoke his eyes flashed
with anger. “You cannot imagine,” he continued, “what horror seized me
when I saw this crime committed. To tear down this glorious building! It
affected me as much as though these criminals had mangled the fair body
of a virgin before my eyes!”
Rodin spoke these words in a tone of deep devotion. You felt that the
firm white body of the young girl was to him the masterpiece of
creation, the marvel of marvels!
He continued:
“I asked the sacrilegious rascals not to scatter the materials and to
sell them to me. They consented. I had all the stones brought here to
put them together again as well as I could. Unfortunately, as you see, I
have as yet raised only one wall.”
In fact, in his impatience to enjoy this keen artistic pleasure, Rodin
has not followed the usual and logical method which consists in raising
all parts of a building at once. Up to the present time he has rebuilt
only one side of the château, and when you approach to look through the
iron entrance gate, you see only broken ground where lines of stones
indicate the plan of the building to be. Truly a château of dreams! An
artist’s château!
“Verily,” murmured my host, “those old architects were great men,
especially when one compares them with their unworthy successors of
to-day!”
So speaking, he drew me to a point on the terrace from which the outline
of the façade seemed to him most beautiful.
“See,” he cried, “how harmoniously the silhouette cuts the silvery sky,
and how it dominates the valley which lies below us.”
Lost in ecstasy, his loving gaze enveloped this monument of a day that
is past and all the landscape.
[Illustration:
EVE
By Rodin
]
From the height on which we stood our eyes took in an immense expanse.
There, below, the Seine, mirroring long lines of tall poplars, traces a
great loop of silver as it rushes towards the solid bridge at Sèvres....
Still further, the white spire of Saint-Cloud against a green hillside,
the blue heights of Suresnes and Mont Valerian seem powdered with a mist
of dreams.
To the right, Paris, gigantic Paris, spreads away to the horizon her
great seed plot, sown with innumerable houses, so small in the distance
that one might hold them in the palm of one’s hand. Paris, vision at
once monstrous and sublime, colossal crucible wherein bubbles
unceasingly that strange mixture of pains and pleasures, of active
forces and of fevered ideals!
PAUL GSELL.
CONTENTS
Public-domain text, read in full here on John Shaqi.
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