Art in America: A Critical and Historial SketchBenjamin, S. G. W. (Samuel Greene Wheeler)
History
Art in America: A Critical and Historial Sketch
Benjamin, S. G. W. (Samuel Greene Wheeler)
Art, American
But it has been evident for some years that a new element was entering
our art ranks and demanding expression, which has at last reached a
degree of vigor and organized strength that challenges respectful
attention, if not unqualified acceptance. By associations, schools, and
exhibitions of its own, it has thrown down the gauntlet to conservatism
and conventionalism, and the time has arrived when we can no longer shut
our eyes to the fact that a new force is exerting itself with
iconoclastic zeal to introduce a different order of things into American
art. We cannot justly consider this movement in the light of reform, for
up to this time our art has been very creditable, and, considering the
environing circumstances, full as advanced proportionally as the other
factors of American civilization. We regard it simply as another stage
in our art progress, destined, when it has accomplished its end, to be
in turn succeeded by yet higher steps in the scale of advance; for,
notwithstanding the somewhat demonstrative assumptions of some of its
promoters, the new movement does not comprehend within itself, more than
any other school, all the qualities of great art. To no school of art
has it yet been given to demonstrate and include in itself all the
possibilities of art, or to interpret all the truths of nature and man.
Perhaps some future school may arise, with all the knowledge of the ages
to choose from, which may comprehend the whole sphere of art in its
compass. But they are probably not yet born who shall see it, or give to
it the symmetry of perfection. Until that time, it behooves those
neophytes and disciples, who proclaim that their art includes all that
art has to tell, to be modest in their claims, and to be satisfied if
they have been able by fasting and prayer to enrich the world of art
with one or two new truths. Nowhere is humility more becoming than in
art; arrogance and assumption dig its grave sooner or later; while
humility is by no means incompatible with earnestness, zeal, and
progress.
[Illustration: "LA MARGUERETTE--THE DAISY."--[WILLIAM M. HUNT.]]
Public-domain text, read in full here on John Shaqi.
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