Art in America: A Critical and Historial SketchBenjamin, S. G. W. (Samuel Greene Wheeler)
History
Art in America: A Critical and Historial Sketch
Benjamin, S. G. W. (Samuel Greene Wheeler)
Art, American
Since the death of West--whom we must consider one of the greatest men
our country has produced--it has become the fashion to decry his art and
belittle his character. This seems to be a mistake which reflects
discredit upon his detractors. Men should be judged not absolutely, but
relatively; not compared with perfection, but with their contemporaries
and their opportunities. In estimating men of the past, also, we need to
put ourselves in their places, rather than to regard them by the
standard of the age in which we live. In no pursuit are men more likely
to be misjudged than in art; for artists are liable to be guided by
impulse rather than judgment, and the very vehemence of their likes and
dislikes renders their opinions intense rather than broad and
charitable. Benjamin West appears to have been born with great natural
powers, which matured rapidly, and early ceased to develop in excellence
proportionate to his extraordinary industry and fidelity to art.
[Illustration: "DEATH ON THE PALE HORSE."--[BENJAMIN WEST.]]
But while a general evenness of quality rather than striking excellence
in any particular works was the characteristic of the art of West,
together with a certain brick-red tone in his colors not always
agreeable, yet a share of genius must be granted to the artist who
painted the "Departure of Regulus," "Death on the Pale Horse," and "The
Death of Wolfe." It unquestionably implied daring and consciousness of
power to brave the opposition of contemporary opinions and abandon
classic costume in historical compositions as he did; to win to his side
the judgment of Sir Joshua Reynolds, and create a revolution in certain
phases of art. Notwithstanding this, however, West was emphatically a
man of his time, moulded by it rather than forming it, and inclined to
conventionalism. When he entered the arena, art was in a depressed
condition both in Italy, where he studied, and in England. But while
Reynolds and Gainsborough gave a fresh impulse to art, West's genius,
ripening precociously, early became incapable of achieving further
progress.
Public-domain text, read in full here on John Shaqi.
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