Consequently, we find Roubiliac--a thin, olive-skinned Frenchman, with
strongly-marked, arching eyebrows, mobile features, and small, sharp,
dark eyes--liable at all times to fits of abstraction, attacks of
inspiration. He will drop his knife and fork while at dinner, sink back
in his chair, assume an ecstatic expression: the fit is on him; he must
abandon his meal and hurry away at once to lock himself in his studio,
and place upon record the superb idea which has so inconveniently
visited him. His companions make allowances for him: men of genius are
often thus. At other times he is absorbed in meditation upon his art:
address him, and he makes no reply, fails to hear. While engaged upon
his statue of Handel, he decides that the great musician must have
possessed an ear of exceeding symmetry, and searches everywhere for a
model. He scrutinizes the ears of all his acquaintances. Suddenly he
pounces upon Miss Rich, the daughter of the Covent Garden manager. 'Miss
Rich,' he cries, 'I must have your ear for my Handel!' In Westminster
Abbey he permits himself to be 'discovered'--to use an appropriate
theatrical term--lost in contemplation of the kneeling figure at the
north-west corner of Sir Francis Vere's monument. His servant, having
thrice delivered a message, without receiving a word in reply, finds his
arm suddenly seized, and his master whispering mysteriously in his ear,
while he points to the statue: 'Hush! hush! he vill speak presently!' At
another time he invites a friend to occupy a spare bed at his house,
gives him his candle, and bids him good-night. Presently the friend is
heard crying aloud in great excitement and alarm; the bed is already
occupied: the dead body of a negress is laid out upon it. 'I beg your
pardon,' says the artist, 'I quite forgot poor Mary vas dere. Poor Mary!
she die yesterday vid de small-pox. She was my housemaid for five, six
years. Come along; I vill find you a bed somevhere else.' All this was
but acting up to the idea Mr. Roubiliac had formed of the abstractedness
and eccentricity of genius.
Public-domain text, read in full here on John Shaqi.
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