Further evidences of disorganization and want of definite aim were to
come. While many artists desired to continue relations with the Society
of Arts, others regarded the conditions imposed by that Society as
vexatious and embarrassing. Particularly they objected to the
introduction into their exhibition of the works of the Society's
students. They represented further that the exhibition had been 'crowded
and incommoded by the intrusion of persons whose stations and educations
disqualified them for judging of statuary and painting, and who were
made idle and tumultuous by the opportunity of attending a show;' and by
way of remedy, proposed that in future the price of the catalogue should
be one shilling, and that no person should be admitted without one, but
that a catalogue once purchased should serve as a ticket of admission
during the season. The Society of Arts, however, distinctly refused
assent to these changes. The dispute quickened, waxed warm. Finally a
large and distinguished section of the artists, comprising in its ranks
the committee of sixteen who had managed the first exhibition,
determined to sever their connexion with the Society of Arts, and to
assert their independence. They accordingly engaged a room of an
auctioneer in Spring Gardens for a display of their works during May
1761. The more timid party still clung to the friendly Society in the
Strand, and there held a second exhibition. From the spring of 1761,
therefore, there were two exhibitions of works of art in London.
The exhibitors in Spring Gardens styled themselves the 'Society of
Artists of Great Britain;' the old committee of sixteen being at the
head of the affairs of the new society. The designs on their catalogue
by Wale and Hogarth demonstrated their intention to devote their revenue
to the relief of the distressed. Of the catalogue, rendered attractive
by these embellishments, 13,000 copies were sold. No charge was made for
admission; but the purchase of a catalogue was made imperative. The
catalogue, however, was a ticket of admission for the season. The
receipts of the exhibition of 1761 amounted to L650.
Public-domain text, read in full here on John Shaqi.
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