Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306Holmes, William Henry
History
Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306
Holmes, William Henry
Indian art; Indians -- Antiquities
A somewhat different use is mentioned by Pike, to whom a Chippewa chief
made a speech, during which he presented his pipe to Mr. Pike to bear to
the Sioux. Attached to the pipe were seven strings of wampum, which
signified that authority was given by seven chiefs of the Chippewa to
conclude peace or make war.[112]
_Wampum belts._--In the manufacture of belts a great deal of skill and
taste have been shown. The large figured varieties were intricate in
design and extremely pleasing in color. Belts of wampum beads were
probably used simply as a part of the costume long before they became
the vehicles of tradition, and beads were doubtless used in other parts
of the costume in a similar manner. It is said that in New England they
were made by the women; in later times it is probable that the whites
engaged to some extent in their manufacture.
Mr. Morgan gives such a good account of the details of belt making that
I beg leave to quote him in full:
"In making a belt no particular pattern was followed; sometimes they are
of the width of three fingers and three feet long, in other instances as
wide as the hand and over three feet in length; sometimes they are all
of one color, in others variegated, and in still others woven with the
figures of men to symbolize, by their attitudes, the objects or events
they were designed to commemorate. The most common width was three
fingers, or the width of seven beads, the length ranging from two to six
feet. In belt making, which is a simple process, eight strands or cords
of bark thread are first twisted, from filaments of slippery elm, of the
requisite length and size; after which they are passed through a strip
of deer-skin to separate them at equal distances from each other in
parallel lines. A piece of splint is then sprung in the form of a bow,
to which each end of the several strings is secured, and by which all of
them are held in tension, like warp threads in a weaving machine. Seven
beads, these making the intended width of the belt, are then run upon a
thread by means of a needle, and are passed under the cords at right
angles, so as to bring one bead lengthwise between each cord and the one
next in position. The thread is then passed back again along the upper
side of the cords and again through each of the beads; so that each bead
is held firmly in its place by means of two threads, one passing under
and one above the cords. This process is continued until the belt
reaches its intended length, when the ends of the cords are tied, the
end of the belt covered and afterward trimmed with ribbons. In ancient
times both the cords and the thread were of sinew."[113]
Public-domain text, read in full here on John Shaqi.
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