Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306Holmes, William Henry
History
Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306
Holmes, William Henry
Indian art; Indians -- Antiquities
I have the pleasure of presenting a few new examples of this emblem,
obtained from the district at one time occupied by the mound-builders.
The examples are carved in shell or engraved upon disks of shell which
have been employed as pendant gorgets. In the study of these particular
relics, one important fact in recent history must be kept constantly in
mind. The first explorers were accompanied by Christian zealots, who
spared no effort to root out the native superstitions and introduce a
foreign religion, of which the cross was the all-important symbol. This
emblem was generally accepted by the savages as the only tangible
feature of a new system of belief that was filled with subtleties too
profound for their comprehension. As a result, the cross was at once
introduced into the regalia of the natives; at first probably in a
European form and material attached to a string of beads in precisely
the manner that they had been accustomed to suspend their own trinkets
and gorgets; but soon, no doubt, delineated or carved by their own hands
upon tablets of stone and copper and shell, in the place of their own
peculiar conceptions. From the time of La Salle down to the extinction
of the savage in the middle Mississippi province, the cross was kept
constantly before him, and its presence may thus be accounted for in
such remains as post-date the advent of the whites. Year after year
articles of European manufacture are being discovered in the most
unexpected places, and we shall find it impossible to assign any single
example of these crosses to a prehistoric period, with the assurance
that our statements will not some day be challenged. It is certainly
unfortunate that the American origin of any work of art resembling
European forms must rest forever under a cloud of suspicion. As long as
a doubt exists in regard to the origin of a relic, it is useless to
employ it in a discussion where important deductions are to be made. At
the same time it should not be forgotten that the cross was undoubtedly
used as a symbol by the prehistoric nations of the South, and
consequently that it was probably also known in the North. A great
majority of the relics associated with it in ancient mounds and burial
places are undoubtedly aboriginal. In the case of the shell gorgets, the
tablets themselves belong to an American type, and are highly
characteristic of the art of the Mississippi Valley. A majority of the
designs engraved upon them are also characteristic of the same district.
Public-domain text, read in full here on John Shaqi.
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