Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306Holmes, William Henry
History
Art in Shell of the Ancient Americans: Second annual report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1880-81, pages 179-306
Holmes, William Henry
Indian art; Indians -- Antiquities
We find at rare intervals designs that are characteristically foreign;
these, whether Mexican or European, are objects of special interest and
merit the closest possible examination. That the design under
consideration, as well as every other engraved upon these tablets, is
symbolic or otherwise significant, I do not for a moment doubt; but the
probabilities as to the European or American origin of the symbol of the
cross found in this region are pretty evenly balanced. In its
delineation there is certainly nothing to indicate its origin. By
reference to Plate LIII it will be seen that in all the examples given
it is a simple and symmetrical cross, which might be duplicated a
thousand times in the religious art of any country. A study of the
designs associated with the cross in these gorgets is instructive, but
does not lead to any definite result. In one case the cross is inscribed
upon the back of a great spider; in another it is surrounded by a
rectangular framework of lines, looped at the corners, and guarded by
four mysterious birds, while in others it is without attendant
characters; but the workmanship is purely aboriginal. I have not seen a
single example of engraving upon shell that suggested a foreign hand, or
a design, with the exception of this one, that could claim a European
derivation.
Some very ingenious theories have been elaborated in attempting to
account for the presence of the cross among American symbols. Brinton
believes that the great importance attached to the points of the
compass--the four quarters of the heavens--by savage peoples has given
rise to the sign of the cross. With others the cross is a phallic
symbol, derived, by some obscure process of evolution, from the
veneration accorded to the reciprocal principle in nature. It is also
frequently associated with sun-worship, and is recognized as a symbol of
the sun--the four arms being remaining rays left after a gradual process
of elimination. Whatever is finally determined in reference to the
origin of the cross as a religious symbol in America will probably
result from the exhaustive study of the history, language, and art of
the ancient peoples, combined with a thorough knowledge of the religious
conceptions of modern tribes, and when these sources of information are
all exhausted it is probable that the writer who asserts more than a
probability will overreach his proofs.
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