The sight of his dog Argos made the heart of Odysseus sink. Even for those who think ugliness the only reality, Argos was covered with realities and squatted on reality. He depressed his master but he does not depress us. He lies upon Main Street and has a Polyanna wag to his tail. His optimism and his pessimism are, however, not tacked on. “And lo, a hound raised up his head and pricked his ears, Argos, the hound of Odysseus.... Despised he lay (his master being afar) in the deep dung of mules and swine.... There lay the dog Argos, full of vermin. Yet even now when he was aware of Odysseus standing by, he wagged his tail and dropped both his ears, but nearer to his master he had not the strength to draw. But Odysseus looked aside and wiped a tear.” Argos is the ideal dog of a far away master; “who has lost his dominion,” as Eumæus, the shepherd of Odysseus, says. Argos registers the fate of his master. We feel, but we do not feel depressed. It is human; it is all inevitable; it is real as life but perfectly idealized by perfect transfer to the realm of art. Eumæus gives us the morality of it, the truth of it, but he is far from moralizing, either pessimistically or optimistically. Argos is the dog Schneider that Jefferson’s Rip Van Winkle could not find to recognize him; he is the picture in brief of his master’s fate. Eumæus is as free from all obtrusive soap as Argos himself. The dog’s fate is ascribed to the careless women who “are no more inclined to honest service when their masters have lost dominion, for Zeus takes away the half of a man’s virtue when the day of slavery comes upon him.” V ART AND THE DIVINE 1. RELIGIOUS ORIGIN OF ART The recent discovery of the tomb of King Tutankhamen has aroused the interest of the world. The perseverance of the explorer, the variety, artistic excellence and intrinsic value of the discovery gave the news a place in the press and signalized the latest triumph of the spade, which Schliemann converted into the best of historians. Dig in your back-yard, and you can read its past in the layers before your eyes. Make a cross-section of the country, and successive deposits will tell you its story. Lay bare the strata of the earth, and the buried fossils, the minerals, the gas, the oil, reveal the history of the world. Grave-digging is the most productive occupation to which science, art and even commerce can now be vocationally guided.