Art principles in literatureDonnelly, Francis P. (Francis Patrick)
Philosophy
Art principles in literature
Donnelly, Francis P. (Francis Patrick)
Aesthetics; Literature
Take the _Ratio Studiorum_ of the Jesuits, a system embodying the
traditions of education and not differing fundamentally from other
systems of its time. The _Ratio Studiorum_ had no history of literature
or lectures on the evolution of literature. It did not approach
literature as a science but as an art. It took the standard authors of
Latin and Greek. Cicero was the staple of every class in Latin because
for nearly every kind of Latinity, history and poetry excepted, he was
a model. Cicero was analyzed, was appreciated, was imitated, that the
student might express himself in writing and speaking as clearly, as
interestingly, as forcibly as Cicero, that the student might be master
of acts of literature, not of facts about literature. That was and is
humanism; that is, making a man a man by equipping all his faculties with
the art proper to each. The humanities were so called because they embody
man. Science is classified nature; literature is nature brought into
touch with man’s personality and transmuted into art, man’s only creation.
You cannot get grapes from thorns or figs from thistles. Every other
subject in the curriculum produces its kind; so should literature.
Mathematics makes mathematicians, chemistry chemists, and physics
physicists. Art should produce artists; literature should result in
literature, in artistic expression, but it is made to produce historians,
biographers, perhaps critics. The history of literature, the evolution
of literature should be put out of high school and college and relegated
to the university or handed over to the lectures on history, leaving the
valuable time of literature for appreciation and expression.
Public-domain text, read in full here on John Shaqi.
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