Art principles in literatureDonnelly, Francis P. (Francis Patrick)
Philosophy
Art principles in literature
Donnelly, Francis P. (Francis Patrick)
Aesthetics; Literature
“To make us understand what we were reading and enjoy it, to
make us wish to read more and understand it better—such was the
object of his whole method. There was very little of what is
called ‘getting by heart’ in his system, unless when he wished
to train memory merely for the sake of training it. When we
were studying some Latin author he told us all about the author
and the scenes described in the pages before us, and he invited
all manner of questions on the subject. He showed us on the
maps where the places were which the author was describing, and
he illustrated the author’s meaning as if he were an artist
illustrating a story.
“I do not know to describe his method of teaching better than
by saying that it was literary rather than scholastic. His
great desire was that a boy should be able to read Greek and
Latin as easily as he read Shakespeare and Addison, and he
regarded grammar as a necessary means to that end, but not
as the end itself. He always took care that historical and
geographical knowledge should work in with and illustrate our
literary studies.
“I can only say for myself that whatever love of books I
may have had I owe in the main to his teaching and to his
influence, and I can say with literal truthfulness that
throughout a busy life in public and in private his influence
and teaching have always been with me and are with me still.”
John Goulding would not be considered in our day a remarkable pedagogist
and has not bequeathed his name to a system of education; yet he presents
many traits of the true teacher, and these details of his life are
pertinent to our question.
The true commentator, whose suggestion we see in the Cork schoolmaster,
will not be a philologist, but will use philology; he will not be a
grammarian, but he will refuse no point of grammar that will help. He
will press every science into service, but he will be the slave of
none. He will remember that his supreme object in teaching is not to
compose a dictionary of antiquities nor to collect extracts for rhetoric
or examples for grammar. His object rather is and should be to bring
the pupil to the text, to bring the mind of the author to the mind of
the reader. Away from dictionary and grammar, away from footnote and
appendix, back to the text, should be the teacher’s cry. The text should
be the center upon which every source of information should be focused,
not the center from which to radiate to the cheerless circumference of
specializations. We do not contend for superficiality, for slipshod
grammar, for inaccurate erudition. Thoroughness, care, accuracy, must
rule in the classroom. We are simply for liberal education, which opposes
early specialization in courses and must equally oppose it in the
teaching of literature.
Public-domain text, read in full here on John Shaqi.
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