Art principles in literatureDonnelly, Francis P. (Francis Patrick)
Philosophy
Art principles in literature
Donnelly, Francis P. (Francis Patrick)
Aesthetics; Literature
“I do not venture to say that Mr. Goulding’s method of teaching
was directly adapted to create a thoroughly scholastic
knowledge of Greek and Latin, and I do not know whether his
pupils would have been likely by means of his instruction alone
to take honors in any university competition, but I know that
it made all of us, who had a taste for such, ready and fluent
readers in Greek and Latin and as familiar with most of the
Greek and Latin poets as with Shakespeare and Keats. It was in
truth literary rather than scholastic instruction.”
XII
EDUCATING THE EMOTIONS
Life is full to the brim with emotions. Not war only nor political
rallies nor the excited throngs at sports are vibrant with emotion, but
there is not a single act of life which has not some emotion, quiet
or intense, as its source, its companion and its effect. Man ought to
be ruled by cold reason, but he responds to feelings and succumbs to
feelings.
Today more than ever in the history of the world is emotionalism rampant.
Civilization has made mankind a crowd. We touch elbows with the world.
The Egyptian hermit has now “the privacy of a goldfish in a glass bowl.”
An individual by himself may indeed deliberate and philosophize, but
a crowd feels and acts. As soon as it stops cheering, it begins to
disintegrate into thinking individuals, who creep silently back to the
hermitage of home. The war, with its drives of all kinds, the elections,
the athletic contests, have made us familiar with the nature of a crowd.
The mob is a high-pressure crowd, and the feelings which burn in the
crowd explode violently in a mob. Civilization has brought mankind into
the closeness of a crowd, but not yet to the explosive confusion of a mob.
War taught us too the great value of morale. What is morale? What is that
light in the sky, that solid ground under foot, that winged buoyancy of
the heart? Morale might be described as organized emotion. A crowd is
fickle because it feels instead of reasons. Morale is the counter-force
to fickleness. Emotions are awakened, are focused on a given point, are
stabilized, and the result is morale. Courage hardens to pluck, duty
flames into devotion and bravery is transfigured into heroism.
Public-domain text, read in full here on John Shaqi.
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