Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the PainterGovett, Ernest
Philosophy
Art Principles with Special Reference to Painting: Together with Notes on the Illusions Produced by the Painter
Govett, Ernest
Art; Painting
Lionardo went so far as to advise artists to hear any man's opinion on
his work, "for," he said, "we know very well that though a man may not
be a painter, he has a true conception of the form of another man."[b]
It is a common misconception with the general public, though not among
serious artists, that by reason of their profession artists are better
judges of works of art than other men. Obviously the recognition of
beauty in art is apart altogether from the means by which it is created,
and subject to the exceptions noted elsewhere, all men are alike able to
appreciate high beauty. Winckelmann even advised his readers against the
judgment of artists on the ground that they generally preferred what is
difficult to what is beautiful,[c] but experience with the great art
bodies in Europe who hold exhibitions does not support this view. It is
only the weaker artists who are liable to be prejudiced in such matters,
and when the judges are of high attainments in art, they almost
invariably make the same choice in competitions that would be made if
general opinion were solicited. But although artists cannot be better
judges of high-class works of art (as beautiful things) than other men
of equal intelligence, their training usually enables them to
distinguish obscure forms of beauty which would be unrecognized by the
general public, and in matters of colour to differentiate between
ephemeral and more or less permanent harmonies. Hence while the public
interests would not suffer from the introduction of the lay element in
judging high class sculpture and painting, it is obvious that the
consideration of works where the lower forms of beauty only are
produced, as in formal decoration, should be confined to the profession.
In music alone of the arts, for reasons already given, special
cultivation is necessary for the judgment of the higher forms of beauty.
[a] _Life of Michelangelo Buonarotti_, De Vere translation.
[b] McCurdy's _Lionardo da Vinci's Note Books_.
[c] _History of Ancient Art_, Part V., 6.
NOTE 28. PAGE 74
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