The appearance of everything was quite primitive. This wall of undressed
stone, joined together by firm cement, seemed half ruined; the door was
worm-eaten, but when the abbé had once got it open, I entered upon a
perfect paradise hidden by this same high wall, and I began truly to
understand and admire more than ever the wise though selfish taste of
the Orientals, who strive to make the outside of their habitations the
most insignificant, and even dilapidated, in the world, while, on the
contrary, they adorn the interior with the most dazzling and refined
luxury.
This custom has always seemed to me charming, as a contrast firstly,
and, secondly, because I admit that I have never understood this lavish
decoration with painting and sculpture of the outside of homes, where it
simply is done for the gratification of the passer-by, who usually
returns his thanks by covering with filth these architectural and
monumental beauties. This, too, is a contrast, but one that displeases
me. In a word, does it not seem to be better taste to hide some
delightful retreat, and there enjoy happiness in secret, than to make a
vulgar display and pompous parade before the eyes of all the world, and
only excite the envy and hatred of every one?
But to return to the paradise of which I was speaking. As soon as the
little door was opened, I entered with the curé; he closed it
carefully, and said, "This, monsieur, is the house."
Then, doubtless overcome by some sad remembrances, and wishing to give
me leisure to examine everything, he crossed his arms on his breast, and
remained silent.
As I have said, I was overcome with astonishment, and the sight was so
charming that I forgot all my curiosity in gazing on so lovely a scene.
Of the high wall of which I have spoken not a stone was to be seen, so
entirely was it hidden by a long clipped arbour of linden-trees and a
high row of immense oaks.
And there in the centre of a vast velvety lawn stood a middle-sized
house of the most irregular construction.
The main body of the building was of but one story in height; on the
right was a rustic gallery which formed a greenhouse, and ended in a
sort of pavilion which only seemed to be lighted from the roof; on the
left, at right angles to the main house, and much higher than it, was a
long gallery with four Gothic windows of stained glass. This gallery
ended at a very high tower which overlooked the rest of the house.
Public-domain text, read in full here on John Shaqi.
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