But what would be harder still to describe, would be the thousand
different and overpowering thoughts which came into my mind, as I
contemplated this most adorable retreat that a man tired of the world's
pleasures could have imagined; for I was witness to the fact that this
enchanting spot was sad, deserted, abandoned, in spite of so much
sunshine, verdure, and flowers; that some frightful misfortune had
without a doubt surprised and crushed those who had cherished such sweet
dreams of happiness. The choice of such a solitary spot, so far from any
great city, the luxury and good taste of everything, showed plainly that
the resident of this lovely home expected to spend many long and happy
years in serene meditation in this beautiful solitude, so dear to
thoughtful or unhappy minds.
These ideas saddened and absorbed me for some time. Awakening from my
reverie I looked at the curé; he seemed paler than ever, and quite lost
in thought.
"Nothing could be more charming than this house, monsieur," said I.
He trembled suddenly, and replied politely but still coldly, "In truth
it is charming, monsieur." And with a heart-breaking sigh, he added,
"Would you like to see the interior of the house?"
"Is the house furnished, monsieur?"
"Yes, monsieur, it is to be sold just as it is, that is, all but some
family portraits, which will be withdrawn." And he sighed again.
We entered by the vine-covered porch of which I have spoken.
The first room was an entrance-hall, lighted from above, and filled with
pictures which appeared to be excellent copies from the best Italian
masters. Some bas-reliefs and a few marble statues, antiques of a pure
style, stood in the corners of the hall, and four admirable Greek vases
were filled with flowers, now withered, alas! for there were flowers
everywhere, and in this hall they must have marvellously suited the
treasures of art.
"This is the antechamber, monsieur," said the curé.
We passed through it, and entered a room furnished with the beautiful
carvings of the Renaissance; four large paintings of the Spanish school
hid the tapestries on the walls, and flowers had once filled the great
jardinières which stood before the windows.
All of the rooms were comparatively small, but the accessories were of
the greatest elegance and in the best taste.
"This is the dining-room," said the curé, continuing his glacial
nomenclature. Then we passed by an open door, only closed by portières,
into a salon, whose three windows opened on to that part of the park
that I had not yet seen.
The salon had a gilded frieze, and was hung with cherry-coloured satin
damask. The furniture was of the best epoch of the reign of Louis XIV.,
and was also gilded, and several consoles of marquetry, covered with
every kind of splendid porcelain, completed the ornamentation of the
room.
Public-domain text, read in full here on John Shaqi.
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