The hair was light chestnut brown, fine and silky, thrown back, and
slightly waving at the temples. The large, very beautiful velvety brown
eyes, with their iris of orange, looked almost too round, but their
proud, deep, meditative expression seemed to denote a mind of the
highest order; finally, an aquiline nose, and a square, prominent, and
dimpled chin, would have given to the physiognomy a haughty and almost
hard look, if around the thin and scarlet lips a subtle and almost
imperceptible smile, very charming to see, had not softened, lighted up,
so to speak, those features which were too energetic and too decided.
For some moments I stood lost in contemplation before this expressive
and beautiful face, wondering if this could be the hero of the
mysterious adventure that I was trying to discover. Then I noticed that,
with the exception of the eyes, which in the child were blue and long,
there were many traits of resemblance between this unknown man and the
delicious sketch of the angelic child which stood near by. But very soon
I heard the trembling voice of the abbé, who, still standing outside,
wished to know if I had seen everything sufficiently. I rejoined him, he
closed the door, and we once more traversed the gallery.
It was childish, no doubt; but as we passed the door of the salon, I
noticed something which oppressed me cruelly. It was a gilded cage, in
which I saw, lying dead, several poor little bengalis and love birds.
Sadly depressed, and more and more interested, I longed to take the
priest into my confidence, by expressing to him how much I was touched
by all I had seen, I, who knew not even the names of those who had lived
here; but whether he could not control his emotion, or whether, he
thought it a profanation to speak of his grief before a stranger, he
evaded all my efforts to open the subject, and said to me, with a great
effort:
"All that remains to be seen now, monsieur, is the other gallery, which
leads to the tower, where there is another study."
We went back through the entrance-hall, then through a library, through
the long Gothic-windowed gallery, which was filled with pictures,
sculptures, and curiosities of every sort, and thus arrived at the
tower, which communicated with the gallery by a short flight of steps.
I entered. This time the abbé accompanied me resolutely, though I could
see that from time to time he wiped with his hand his eyes, which were
moist with tears. In this vast circular hall, everything revealed
studious and reflective tastes.
Public-domain text, read in full here on John Shaqi.
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