Arthur Blane; or, The Hundred CuirassiersGrant, James
History
Arthur Blane; or, The Hundred Cuirassiers
Grant, James
France -- History -- Louis XIII, 1610-1643 -- Fiction
I was hastily conducted to a chamber by Antoine, the servant who had
brought this alarming intelligence, and who marched before me,
bearing two tall candles of pink wax, bowing to his knees at every
second step. I inquired if the chevalier who had just been brought
hither was dangerously wounded. Antoine replied, that he was
speechless, pale, and pierced near the right lung; but a skilful
surgeon had announced that he believed the patient would be out of
danger in a day or two.
This was some comfort, and when the valet left me, I threw off my
clothes; but frequently pausing during the process of disrobing, I
looked around me with a vague misbelief of my own identity; nor did
the pallor of my face and the wild expression of my eyes, as I
surveyed myself in a huge mirror that was bordered by an old Flemish
marqueterie frame mounted with ormulu, quite reassure me that I was
not myself, but somebody else.
Opposite hung a quaint picture of a tall dame, with one of those
steeple-like coifs worn by Parisian ladies in the days of the unhappy
dauphiness Margaret of Scotland, and Isabella of Bavaria.
I was really in the house of the king's powerful mistress--the famous
Countess d'Amboise--she to whom my carefully-treasured letter had
been addressed--she who held in her fair, plump hands even more than
the wary and subtle Richelieu the balance of peace and war between
France and the empire; and she who had promised to me her protection,
and more than protection, her kindest favour; but, while her guest, I
knew myself to be perhaps the destroyer of a brother to whom she was
evidently sincerely attached! I threw myself into the bed of soft
down, and under its canopy of plumes and gilding strove to sleep, to
forget that I was weary, and that daybreak was almost at hand; but an
hour or more elapsed before the highbacked marqueterie chairs of
Utrecht velvet, or the huge tapestry on the walls faded away, as the
night lamp burned dim, and assuredly the misshapen figures on the
arras were ghastly enough! They represented Louis XI., surrounded by
his principal soldiers, placing around the neck of Launay de Morville
the collar of his own military order, as the reward of valour and
prowess in the field; and the whole group in their fleur-de-lised
surcoats vibrated slowly and with a lifelike motion in the cold wind
which found entrance by a hundred crannies; for the château was old,
having been built by Jacques d'Amboise, abbot of Chigny, in 1490. It
had been enlarged and remodelled by the Duc de Sully, who was Grand
Master of the king's artillery in 1599, and who decorated the walls
in the most florid style of French architecture. Here, too, dwelt
Louis de Clermont de Bussy d'Amboise, so famous for his
accomplishments and valour, and who, at an assignation with the
beautiful Madame de Montresor was most unpleasantly slain by her
husband and his valets. Latterly it had been a residence of the
Public-domain text, read in full here on John Shaqi.
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