Arthur O'Leary: His Wanderings And Ponderings In Many LandsLever, Charles
General
Arthur O'Leary: His Wanderings And Ponderings In Many Lands
Lever, Charles
Fiction
For twenty minutes and more, Sir Peter abused the Dutch; he called them
hard names in English, and some very strong epithets in bad French.
Meanwhile, his courier busied himself in preparations for departure, and
the “Honourable Jack” undertook to shawl the young ladies, a performance
which, whether from the darkness of the night, or the intricacy of the
muffling, took a most unmerciful time to accomplish.
“We shall never find the hotel at this hour,” said Sir Peter, angrily.
“The house will certainly be closed,” chimed in the young ladies.
“Take your five to two on the double event,” replied Jack, slapping the
Alderman on the shoulder, and preparing to book the wager.
I did not wait to see it accepted, but stepped over the side, and
trudged along the “Boomjes,” that long quay, with its tall elm trees,
under whose shade many a burgomaster has strolled at eve, musing over
the profits which his last venture from Batavia was to realize; and
then, having crossed the narrow bridge at the end, I traversed the
Erasmus Plata, and rang boldly, as an old acquaintance has a right to
do, at the closed door of the “Schwein Kopf.” My summons was not long
unanswered, and following the many-petticoated handmaiden along the
well-sanded passage, I asked, “Is the Holbein chamber unoccupied?” while
I drew forth a florin from my purse.
“Ah, Mynheer knows it then,” said she, smiling. “It is at your service.
We have had no travellers for some days past, and you are aware, that,
except greatly crowded, we never open it.”
This I knew well, and having assured her that I was an _habitué_ of the
Schwein Kopf, in times long past, I persuaded her to fetch some dry wood
and make me a cheerful fire, which, with a “krug of schiedam” and some
“canastre,” made me as happy as a king.
The “Holbeiner Kammer” owes its name, and any repute that it enjoys, to
a strange, quaint portrait, of that master seated at a fire, with a fair
headed, handsome child, sitting cross-legged on the hearth before him. A
certain half resemblance seems to run through both faces, although the
age and colouring are so different. But the same contemplative
expression, the deep-set eye, the massive forehead and pointed chin, are
to be seen in the child, as in the man.
This was Holbein and his nephew, Franz von Holbein, who in after years
served with distinction in the army of Louis Quatorze. The background of
the picture represents a room exactly like the chamber--a few highly-
carved oak chairs, the Utrecht velvet-backs glowing with their scarlet
brilliancy, an old-fashioned Flemish bed, with groups of angels,
neptunes, bacchanals, and dolphins, all mixed up confusedly in quaint
carving; and a massive frame to a very small looking-glass, which hung
in a leaning attitude over the fire-place, and made me think, as I gazed
at it, that the plane of the room was on an angle of sixty-five, and
that the least shove would send me clean into the stove.
Public-domain text, read in full here on John Shaqi.
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